An upperclass war widow marries again. The new husband is also an officer, and soon he has to go to the next war. At the outbreak, she’s the only one who does not cheer about it. And the terrors of war soon bring almost all of her friends and relatives, among them generals and high government officials to the same conclusion: War does not pay.Read More »
On a quiet but restless summer night of the turbulent 1944, the German conquerors set up an ambush in Kokkinia, a poor commoners’ neighbourhood of Piraeus, and manage to capture Kosmas, a ruthless black marketeer, during the celebrations for his marriage with Antigone. Under those circumstances, Kosmas will soon have to face an impossible and agonising dilemma: he must betray his country to save his life. But is Kosmas really a traitor?Read More »
Synopsis:
In the early years of World War II, a German U-boat (U-37) sinks Allied shipping in the Gulf of St. Lawrence and then tries to evade Canadian Military Forces seeking to destroy it by sailing up to Hudson Bay. The U-boat’s fanatical Nazi Captain sends some members of his crew to look for food and other supplies at a Hudson Bay Company outpost. No sooner than the shore party (lead by Lieutenant Hirth) reaches the shore, the U-boat is spotted and sunk by the Canadian Armed Forces, leaving the six members of the shore party stranded in Canada. The Nazi Lieutenant then starts to plan his crew’s return to the Fatherland. He needs to reach the neutral U.S., or be captured. Along the way, they meet a variety of characters, each with their own views on the war and nationalism. In this movie, Michael Powell and Emeric Pressburger show their ideas of why the U.S. should join the Allied fight against the Nazis.Read More »
Having escaped, Omiya and Arita are sent flying backwards by landmines set by the guerillas. Once again, they must confront their superiors.Read More »
Quote:
In 1950, amid-st the ravages of the Korean War, Sergeant Süleyman stumbles upon a a half-frozen little girl, with no parents and no help in sight. Frantic, scared and on the verge of death, this little girl captures the heart of Süleyman, who risks his own life to save her, smuggling her into his Army base and out of harms way. Not knowing her name and unable to communicate with her, Süleyman names her Ayla, in reminiscence of the moon on the fateful night during which they met. The two form an instantaneous and inseparable bond, and Ayla, almost effortlessly, brings an uncanny joy to the Turkish brigade in the grip of war. As the war comes to a close however, Süleyman’s brigade is told that they will be returning home. Süleyman cannot bear abandoning Ayla, and does everything within his power to take her with him. After repeated failure, he is forced to give Ayla to an orphanage, but doesn’t give up on the hope of one day reuniting with her. Will the two ever get back together?Read More »
The Missing Picture (French: L’image manquante) is a 2013 Cambodian-French documentary film directed by Rithy Panh about the Khmer Rouge. It was screened in the Un Certain Regard section at the 2013 Cannes Film Festival where it won the top prize. It was also screened in the World Cinema section at the 2013 Cinemanila International Film Festival where it won the Grand Jury Prize.
The film has been selected as the Cambodian entry for the Best Foreign Language Film at the 86th Academy Awards, and was nominated.Read More »
A touching story of a Czech boy who is liberated from a concentration camp and then picked up by a Czechoslovak Army laundry unit under Soviet command. He becomes the unit’s mascot, and is given the nickname “prace” or “slingshot bearer” after Czech boys who had fought with slingshots in the Czech Hussite armies of the 15th century. The boy, along with a little Slovak girl whom the unit also rescues up along the way, participate in the liberation of his homeland.Read More »
The absurd and often surrealistic story of the last propaganda film of the Third Reich.Read More »
Plot / Synopsis
In the midst of World War II, the renowned playwright Noël Coward engaged a young film editor named David Lean to help him realize his vision for an action drama about a group of Royal Navy sailors (roles that would be filled by Coward himself, Bernard Miles, and John Mills, among others) fighting the Germans in the Mediterranean. Coward and Lean ended up codirecting the large-scale project—an impressive undertaking, especially considering that neither of them had directed for the big screen before (this would be Coward’s only such credit). Cutting between a major naval battle and flashbacks to the men’s lives before they left home, In Which We Serve (an Oscar nominee for best picture) was a major breakthrough for both filmmakers and a sensitive and stirring piece of propaganda.Read More »