USA

From IMDB:
When the ancient continent of Mu sank beneath the ocean, some of its inhabitant survived in caverns beneath the sea. Cowboy singer Gene Autry stumbles upon the civilization, now buried beneath his own Radio Ranch. The Muranians have developed technology and weaponry such as television and ray guns. Their rich supply of radium draws unscrupulous speculators from the surface. The peaceful civilization of the Muranians is corrupted by the greed from above, and it becomes Autry’s task to prevent all-out war, ideally without disrupting his regular radio show.
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Summary:
“Ben and Pardner shared everything…even their wife!”

Marvin and Eastwood star as California prospectors during the Gold Rush of 1849-50. Eastwood is the calm, restrained one; Marvin is noisy and rambunctious. Marvin buys a wife, Seberg, from a local Mormon. Then, to make sure the lonely local miners will leave his new bride alone, he hijacks a wagonload of prostitutes and takes them to the prospectors in the mining town he has founded, No Name City, setting them up for business at a saloon. While Marvin is away, Eastwood and Seberg fall for each other; but when Marvin returns and discovers the affair, Seberg declares that she’d like them both as husbands.
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A judge is about to sentence members of a motorcycle gang for murder when he gets blackmailed because of an affair with a teenage babysitter.

Quote:
An assistant DA (George Carey) is prosecuting a biker for a vicious murder. The lawyer’s home-life meanwhile is a wreck: He has a nagging, frigid wife and a newborn son, and his adult daughter is a lesbian. Things go from bad to worse, however, when he is unable to resist the charms of his seductive underage babysitter (Patricia Wymer). Meanwhile, the girlfriend of the biker befriends the prosecutor’s daughter, hoping to get some photos of her with her lover so she can use them to blackmail the father. She really hits the jackpot though when she stumbles upon the man himself en flagrante with his babysitter mistress. . .Read More »

SYNOPSIS:
Natalie Wood was never more beautiful, and the battle of the sexes was never more fun. It’s great to see a love story that doesn’t resort to foul language or adult humor, but simply witty dialog and the vagaries of human nature.
Tony Curtis plays a tabloid reporter trying to get the goods on Helen Gurley Brown (Natalie) and her personal life to find out if she actually knows anything about sex and relationships. To this end, he impersonates an acquaintance (Henry Fonda) who is having problems with his jealous wife (Lauren Bacall) so that he can pose as a patient and seek her advice.
The confusion caused by this impersonation just leads to more problems, naturally. However, this is just a sideshow to the reporter’s attempted seduction of Dr. Brown and the glorious mayhem that ensues.Read More »

Quote:
STRIPPED is the ultimate love-letter to comic strips. It brings together the world’s best cartoonists to talk about the art form they love, and what happens to it as newspapers die.

STRIPPED brings together the world’s best cartoonists to talk about the art form they love, and what happens to it as newspapers die. Over 70 interviews were conducted, including the first-ever audio interview with Bill Watterson (Calvin & Hobbes), as well as Jim Davis (Garfield), Cathy Guisewite(Cathy), Mort Walker (Beetle Bailey), Mike & Jerry (Penny Arcade), Matt Inman (The Oatmeal), Jeff Keane (The Family Circus), Ryan North (Dinosaur Comics), Lynn Johnston (FBOFW), Zach Weiner (SMBC), Scott Kurtz (PvP), Scott McCloud(Understanding Comics), Richard Thompson (Cul de Sac), Jeph Jacques (Questionable Content), Stephan Pastis (Pearls Before Swine), Bill Amend (Foxtrot), Kate Beaton (Hark! A Vagrant) and more. Set to a gorgeous original score by Stefan Lessard of Dave Matthews Band, STRIPPED explores comic strips in depth, why they’re so loved, and how they’re navigating this dicey period between print and pixels.
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The Saphead is a 1920 comedy film featuring Buster Keaton. It was the actor’s first starring role in a full-length feature and the film that launched his career.

The plot was a merging of two stories, Bronson Howard’s play The Henrietta and the novel The New Henrietta by Victor Mapes and Winchell Smith, which was meant to be an adaption of Howard’s play.
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Way Down East (1920) is a silent film directed by D. W. Griffith and starring Lillian Gish. It is one of four film adaptations of the melodramatic 19th century play Way Down East by Lottie Blair Parker. There were two earlier silent versions, and one sound version in 1935, starring Henry Fonda.
Griffith’s version is particularly remembered for its exciting climax in which Lillian Gish’s character is rescued from doom on an icy river. Some sources, quoting newspaper ads of the time, say a sequence was filmed in an early color process, possibly Technicolor or Prizmacolor.
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PLOT SYNOPSIS
Pete and Ellen have reared Meg as their own, ever since she was a baby and her parents took off. Now a teen, Meg convinces her friend Nath to come help with chores on the farm: Pete isn’t getting around on his wooden leg like he used to. When Nath insists on using a short cut home through the woods, Pete gets quite agitated and warns him of screams in the night, of terrors associated with the red house. Curious, Meg and Nath ignore his warnings and begin exploring. Meg begins falling in love with Nath, but his girlfriend Tibby has other plans for him. Meanwhile they all get closer to real danger and the dark secret of the red house.Read More »

Synopsis:
A ruthless carnival barker, blinded by ambition, keeps a fair open — despite warnings from an inspector that the fair is unsafe — leading to a fatal disaster. Starring Spencer Tracy and Claire Trevor with Rita Hayworth in one of her earliest film appearances, credited as Rita Cansino.Read More »