USA

Review Summary
After literally inventing the movie musical with The Jazz Singer, Warner Bros. purchased the motion picture rights to the evergreen Sigmund Romberg/Oscar Hammerstein II 2nd operetta The Desert Song. Although the results looked like a photographed stage play (a common failing of early-talkie songfests), the unforgettable Romberg-Hammerstein tunes ({&The Riff Song}, {&One Alone}, the title number) more than carried the day. John Boles stars as The Red Shadow, the Robin Hood-like leader of the Riffs and the bane of the existence of General Bierbieu (Edward Martindel). The good General has another cross to bear in the form of his nerdish, lily-livered son Pierre, who is likewise despised by heroine Margot (Carlotta King). Read More »

Originally a made-for-TV miniseries (that won a slew of Emmy Awards), this film follows parallel stories: those of a Jewish family in Germany from 1935 to 1945 and a German (Michael Moriarty) who rises in the Nazi ranks until he is overseeing the death camps. Genuinely haunting and truly sorrowful, this series was many people’s first introduction to the impact that Hitler’s Final Solution had on everyday Germans. Of course, it helps that director Marvin Chomsky had a cast that included Fritz Weaver, James Woods, Meryl Streep (who won an Emmy for her performance), and Ian Holm. Still, it is powerful storytelling in its own right.Read More »

A teenage whiz kid (Matthew Laborteaux) puts his robot’s brain in the head of a nearly dead girl (Kristy Swanson).Read More »

Quote:
British couple Fiona and Nigel Dobson are sailing to Istanbul en route to India. They encounter a beautiful French woman, and that night Nigel meets her while dancing alone in the ship’s bar. Later he meets her crippled American husband Oscar, who tells him their story. While living in Paris for several years trying to be a writer, he becomes obsessed with a woman he met by chance on a bus. He tracks her down and they start a steamy love affair. Soon Oscar finds himself enslaved body and soul by her love, and continues to tell Nigel the details of this relationship in various stages over a number of visits to Oscar’s cabin.Read More »

Quote:
SOTD was birthed out of a desire to privilege and amplify the strange and banal quality of daily life, to see what it can yield as an entrance to larger concerns, such as the environment, representation of motherhood, queer desire, the domestic as site of radicality.Read More »

“It is a small but perfect film.”
– Jonas Mekas

“The metaphor in FOG LINE is so delicately positioned that I find myself receding in many directions to discover its source: The Raw and the Cooked? Analytic vs. Synthetic? Town & Country? Ridiculous and Sublime? One line is scarcely adequate to the bounty which hangs from fog & line conjoined.”
– Tony ConradRead More »

Rat Life and Diet in North America is a short film that tells a story about rats (actually pet gerbils) held as political prisoners in the United States (their jailer a cat), who make a heroic escape to Canada. Although this narrative is recounted through wryly worded intertitles, Wieland’s film nonetheless conveys a sense of menace and urgency. For these protagonists “Canada” becomes a utopian destination, promising abundance, pleasure, and peace. The film was created in 1968, a time of international student protests against the military and capitalist establishments, the rise of the New Left, and worldwide demonstrations against the Vietnam War; many young American men were fleeing to Canada to avoid being drafted into the military.Read More »

Synopsis:
Built around the publicity “feud” between newspaper-radio-gossip spreader Walter Winchell and band leader Ben Bernie, a radio star, Alice Huntley (Alice Faye), who does an advice-and-inspiration program, helps a mike-shy singer, Eddie Kane (Jack Haley) to success by tricking him into singing with Bernie’s orchestra. Winchell uses it to expose Bernie as the trickster. But Kane becomes a great hit with the radio public, and falls in love with Alice. And Bernie and Winchell shake hands to show there’s no business like show business and fabricated feuds.Read More »

A dispute between stage lines goes back and forth until one comes up with what it hopes will end it all .Read More »