USA

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Louis B. Mayer’s nephew Gerald proved himself an able director with the MGM “B” thriller Dial 1119. Marshall Thompson stars as an emotionally disturbed young man who pulls out a gun at a bar and holds the patrons hostage. As the police gather outside, the film concentrates on the various bar customers, each of whom has his or her own deep-rooted problems. Thompson is on the verge of killing everyone around him when a telephoned ruse breaks the crisis. A raw-nerved 75 minutes’ worth of entertainment.Read More »

Charlie Brown makes his way to the national spelling bee finals.Read More »

With the help of Linus and Peppermint Patty, Charlie Brown tries to pluck up the courage to talk to his crush, the Little Red-Haired Girl.Read More »

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A troubled antiwar activist plans to assassinate the President of the United States. His resolve forces others in a fragmented and disillusioned group of political allies to face the threat of government counterintelligence and the temptations of middle-age security, and to reexamine their commitment to radical action.Read More »

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Belson has made reference to the hallucinatory quality of his films, and he associates this form of imagery with interior vision that corresponds to the inward spiritual journey the mind can achieve through meditation. In Belson’s words, “the hallucinatory aspect of imagery is certainly inherent in my work and in the ideas relevant to my work.” In a program note that accompanies Meditation (1971), Belson states, “by diving deep through your spiritual eye you will see into the fourth dimension, aglow with the wonders of the inner world. It is hard to get there, but how beautiful it is!”Read More »

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Documentary filmmaker Emil DeAntonio’s In the Year of the Pig was financed by New York society matron Mrs. Orville Schell; her fund-raising dinners earned her an executive producer credit on the completed film. An extremely radicalized view of the still-raging war in Vietnam, Pig was so unabashedly provocative that it earned DeAntonio the tireless scrutiny of FBI head J. Edgar Hoover (whose file on the filmmaker inspired yet another DeAntonio production of 1990, Mr. Hoover and I). The film’s highlight is an interview with the late general George S. Patton, adroitly re-edited to make it seem as though Patton (who died in 1945) is characterizing the boys in Nam as “a bloody good bunch of killers.” Bracketed between his Rush to Judgment (based on the highly suspect findings of JFK-conspiracy theorist Jim Garrison ) and his America is Hard to See (a chronicle of the Eugene McCarthy Presidential campaign), DeAntonio’s In the Year of the Pig is an amalgam of the best and worst elements of those two offerings. The film says what needs to be said, but it often ends up preaching only to the converted.Read More »

Elissa’s life takes a turn when she meets a mysterious man in her English class and she has to quickly decide between her family and him- and going from family-life to a life on the run is a wild choice to everyone but her.Read More »

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I like P. G. Wodehouse, but this film is not in the same category as A DAMSEL IN DISTRESS. That film showed the Wodehouse’s characterizations and situations at their funniest. This one seems strained. But it’s cast is a nice one, and it has an interesting social historic note to it.

Alan Dinehart and George Givot are planning to make Arthur Treacher (Jeeves) their guinea pig in a scam in which he is the heir to the supposed “millions” of pounds estate of the English sea hero Sir Francis Drake. Incredibly, in the 1920s and 1930s, thousands of foolish people in the U.S., the British Empire, and elsewhere, paid money to the head of a scam in which the people were told they were heirs to Drake’s fortune. It was not until just before World War II that the scam was finally cracked. It is curious that this 1937 film actually used such a current swindle in it’s plot, but they may have felt it would have increased the audience for an otherwise mediocre film.Read More »

Description:
The mystery surrounding the Salvator Mundi, the first painting by Leonardo da Vinci to be discovered for more than a century, which has now seemingly gone missing.

The Lost Leonardo is the inside story behind the Salvator Mundi, the most expensive painting ever sold at $450 million. From the moment the painting is bought for $1175 at a shady New Orleans auction house, and the restorer discovers masterful Renaissance brushstrokes under the heavy varnish of its cheap restoration, the Salvator Mundi’s fate is determined by an insatiable quest for fame, money and power. As its price soars, so do the questions about its authenticity: is this painting really by Leonardo da Vinci? Unravelling the hidden agendas of the richest men and the most powerful art institutions in the world, The Lost Leonardo reveals how vested interests in the Salvator Mundi are of such tremendous power that truth becomes secondary.Read More »