USA

An airplane carring coffee beans from South America has some unpleasant stowaways: a hoard of tarantulas which overcome the pilots as the airplane is flying over an orange-producing town in California. The airplane crashes, and the unlucky inhabitants of the town release the poisonous spiders into their midst. Once the town’s officials discover that the tarantulas are responsible for several deaths, the tarantulas have already descended upon the town’s only orange-processing factory. The town’s citizens risk their lives to remove the tarantulas from the factory while the poisonous pests are rendered motionless by the transmitted sound of buzzing bees.Read More »

Synopsis:
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the missus’ brother. A roguish country-western musician, he has just been invited to audition for the Grand Ole Opry, his chance of a lifetime to become a success. However, this is way back in Nashville, Red clearly drives terribly, and he’s broke and sick with tuberculosis to boot. Whit, 14, seeing his own chance of a lifetime to avoid “growing up to be a cotton picker all my life,” begs Ma to let him go with Uncle Red as driver and protege. Thus begins a picaresque journey both hilarious and poignant.
— IMDB.Read More »

Plot Outline: Horace Pinker, a murderous TV repairman, is finally caught and executed via the electric chair. The teenager who helped capture him thinks that its all over. But it’s not and Pinker returns from the grave as pure electricity thanks to a pact with the Devil. This means that he can travel through TV and the human body and he’s only got one thing on his mind – revenge.Read More »

Quote:
A true masterpiece of 70s cinema, more remarkable today than ever before. A conceptual bicentennial film dealing with spatial and temporal relationships between two travelers, their car, and the geographic, political, and social changes from New York to Los Angeles. The space within each frame is at the same time continuous and elliptical.Read More »

A young couple arrive in New York for a weekend where they are met with bad weather and a series of adventures and misadventures.Read More »

Horace Jenkins’ Cane River is a racially themed love story shot in Natchitoches Parish, a “free community of color” in Louisiana. A budding romance lays bare the tensions between light-skinned, property-owning Creoles and the more disenfranchised, darker-skinned families descended from slaves. Though championed by Richard Pryor, Cane River disappeared for decades after Jenkins’ sudden death at 42, shortly after the film’s extremely limited release.Read More »

On Coney Island in the 1950s, a lifeguard tells the story of a middle-aged carousel operator, his beleaguered wife, and the visitor who turns their lives upside-down.Read More »

A sensory and cinematic work from the Sonoran Desert in the southern US, where a man lives in a lonely pact with a brutal nature and in the shadow of the apocalypse.Read More »

Review Summary
After literally inventing the movie musical with The Jazz Singer, Warner Bros. purchased the motion picture rights to the evergreen Sigmund Romberg/Oscar Hammerstein II 2nd operetta The Desert Song. Although the results looked like a photographed stage play (a common failing of early-talkie songfests), the unforgettable Romberg-Hammerstein tunes ({&The Riff Song}, {&One Alone}, the title number) more than carried the day. John Boles stars as The Red Shadow, the Robin Hood-like leader of the Riffs and the bane of the existence of General Bierbieu (Edward Martindel). The good General has another cross to bear in the form of his nerdish, lily-livered son Pierre, who is likewise despised by heroine Margot (Carlotta King). Read More »