USA

Kid decides to go to his friend Play’s house party, but neither of them can predict what’s in store for them on what could be the wildest night of their lives.Read More »

A man kills a storekeeper and a cop. LASD homicide detective Jerry Beck gets the case. His murder suspect is connected to a heavily armed white supremacy group.Read More »

Having left New Hampshire over excessive demands by the locals, the cast and crew of “The Old Mill” moves their movie shoot to a small town in Vermont. However, they soon discover that The Old Mill burned down in 1960, the star can’t keep his pants zipped, the starlet won’t take her top off, and the locals aren’t quite as easily conned as they appear.Read More »

David Brandon (James Gordon) is a surveyor in the Old West who dreams that one day the entire North American continent will be linked by railroads. However, to make this dream a reality, a clear trail must be found through the Rocky Mountains. With his boy Davy (Winston Miller), David sets out to find such a path, but he’s ambushed by a tribe of Indians led by a white savage, Peter Jesson (Cyril Chadwick); while the boy manages to escape, David is killed. Years later, the adult Davy Brandon (George O’Brien) still believes in his father’s dream of a transcontinental railroad, and legislation signed by President Abraham Lincoln has made it an official mandate. Davy is hired on as a railroad surveyor by Thomas Marsh (Will R. Walling), the father of his childhood sweetheart Miriam (Madge Bellamy). While Davy hopes to win Miriam’s heart as he helps to find the trail that led to his father’s death years ago, he’s disappointed to discover that Miriam is already married — and shocked to discover her husband is Peter Jesson, now working with the railroad as a civil engineer. As the Union Pacific crew presses on to their historic meeting at Promitory Point, Davy must find a way to earn Miriam’s love and uncover Peter’s murderous past.Read More »

A ferry operator accused of a murder he did not commit is executed for the crime. Now his ghost walks the marshlands he once called home, seeking vengeance against those who wronged him. The village’s new ferry operator, the beautiful Maria, must find a way to save her boyfriend from becoming the ghost’s next victim.Read More »

A college professor resigns in protest to the dismissal of student underground newspaper workers and later joins their “hippie movement” and becomes their “Messiah.”Read More »

Quote:
“This new medium of expression is the Absolute Film. Here the artist creates a world of color, form, movement, and sound in which the elements are in a state of controllable flux, the two materials (visual and aural) being subject to any conceivable interrelation and modification.” – Mary Ellen Bute

An American ballistics expert in Turkey finds himself targeted by German agents. Safe passage home by ship is arranged for him, but he soon discovers that his pursuers are also on board.Read More »

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender man who prefers to identify somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film—an unusual, partly staged work of semi-verité—is the first of director Spheeris’ films to fully embrace what would become her characteristic documentary style: probing, intimate,
uncompromising and deeply meaningful. (Mark Toscano)

Preserved by the Academy Film ArchiveRead More »