Synopsis:
The second in Larry Gottheim’s ELECTIVE AFFINITIES cycle, MOUCHES VOLANTES is, in the filmmaker’s own words, “a celebration of elusive relationships” between sound and image, color and black-and-white, the moon and the waves, the aural testimony of Blind Willie Johnson’s widow Angelina and the camera’s illumination of a world simultaneously of and beyond the everyday. These lyrical fragments sweep in and out as with the tides; a time-based symmetry slowly emerges as the film reveals itself to be a perfect circle.Read More »
Synopsis:
Working with Virgil’s four-part poem “Georgics” and Antonio Vivaldi’s concertos “The Four Seasons” as models, Gottheim arranged his painterly compositions into four distinct sections, each edited according to its own exacting pattern. The seasonal flux thus informs both the form and content of the image, with the basic elements of trees, sky, hills and the occasional crisscrossing clothesline filmed in every imaginable light.Read More »
Synopsis
Another of Reginald Denny’s money-spinning Universal vehicles, Fast and Furious casts Denny as “speed demon” Tom Brown. Fascinated with fast roadsters, Tom enjoys nothing more than “opening up” on the highway — at least, until he’s run off the road by another reckless driver. After emerging from the hospital, Tom discovers that he’s developed a mortal fear of automobiles — in fact, he jumps three feet in the air whenever he hears a honking horn. Naturally, the outcome of the plot hinges on Tom’s willingness to man the controls of a racing car for the sake of his sweetheart Ethel (Barbara Worth). All that prevents Fast and Furious from being a “perfect” Reginald Denny picture is a moment near the climax, when our jailed hero is released from his cell when his father bribes the guard: undoubtedly, Denny’s fans would have preferred that he figure a way out of his dilemma.
Hal EricksonRead More »
Synopsis :
A young woman, recently released from a mental hospital, gets a job as a secretary to a demanding lawyer, where their employer-employee relationship turns into a sexual, sadomasochistic one.Read More »
One of the most electrifying heroes of the twentieth century receives an appropriately sweeping screen biopic, rich in both historical insight and propulsive cinematic style, courtesy of visionary director Spike Lee. Built around an extraordinary performance from Denzel Washington, Malcolm X draws on the iconic civil rights leader’s autobiography to trace his journey of empowerment, from a childhood riven by white-supremacist violence to a life of petty crime to his conversion to Islam and rebirth as a fearless fighter for Black liberation, whose courage and eloquence inspired oppressed communities the world over. Impeccably crafted by Lee and his closest creative collaborators, and buoyed by commanding performances from Angela Bassett, Delroy Lindo, Al Freeman Jr., and others, this is a passionate monument to a man whose life continues to serve as a model of principled resistance.Read More »
Remember that classic 1985 music video for a-ha’s “Take On Me,” the one where that girl in the diner falls into an animated charcoal drawing? Since then, its director, Steve Barron, has had an eclectic career—he helmed the Teenage Mutant Ninja Turtles movie and produced While You Were Sleeping—but with Choking Man, his first independent film, he returns to his earliest preoccupations: cartoons and girls in restaurants. Choking Man takes place at a Queens diner randomly owned by none other than Mandy Patinkin, affecting a Greek accent. Jorge (Octavio Gomez Berrios), a sullen, greasy Ecuadorian dishwasher, is a modern-day invisible man who gives himself over to extravagant animated fantasies, but speaks no more than 30 words though the course of the movie. Meanwhile, his charming coworker Amy (Eugenia Yuan) is being courted by the boorish Jerry (Aaron Paul), which pleases him not a bit. Choking Man has a tepid plotline, some stilted dialogue, and way too many pointless shots of the subway rumbling overhead. But the tender and spirited performances of its diverse cast elevate Barron’s portrait of contemporary Queens life.Read More »
Plot Synopsis by Sandra Brennan
A journalist for a popular travel magazine goes looking for interesting stories in Latin America and finds love instead in this colorful musical. The love angle comes from her fiance who lives there, and from the dashing photographer who accompanies her. Included are many South American acts including flamenco dancers Rosario and Antonio. Songs include: “Ba-Ba-Lu” (Bob Russell, Marguerita Lecuna), “Stars in Your Eyes”, “La Morine de Mi Copla” (Gabriel Ruiz, Mort Greene), “Rhumba Matumba” (Bobby Collazo, Greene), “Guadalajara” (Pepe Guizar, Greene), “Negra Leona” (A. Fernandez, Greene), and “Baramba” (Margarita Lecuona, Greene).Read More »
Synopsis:
Anne Schuyler is an upper-crust socialite who bullies her reporter husband into conforming to her highfalutin ways. The husband chafes at the confinement of high society, though, and yearns for a creative outlet. He decides to write a play and collaborates with a fellow reporter.Read More »
