Silent

  • Michael Curtiz – Fiaker Nr. 13 aka Cab Nr.13 (1926)

    1921-1930GermanyMichael CurtizSilentWeimar Republic cinema

    IMDB User Reviews
    20 April 2004 | by bullybyte (United Kingdom)

    *** This review may contain spoilers ***

    SPOILERS!! The film starts with a woman on the run from her millionaire husband giving birth to a daughter in the home of a washerwoman. The woman dies in childbirth, but the baby survives. The washerwoman leaves the baby in a horsedrawn Parisian taxicab (No. 13). The paperwork of the birth is lost in a huge tome. Sixteen years pass. The tome is bought by a poor student. One day his bookshelf collapses, and the tome opens at the page where the paperwork has been hidden. The student realises that the paperwork relates to a millionaire who has spent the last sixteen years looking for his pregnant wife.Read More »

  • Yevgeni Chervyakov – Moy syn (1928)

    1921-1930DramaSilentUSSRYevgeni Chervyakov

    Synopsis: A woman announces her husband that her newborn baby isn’t his. What follows is a simple and powerful sequence of close-ups of a man caught in his mixed emotions and a woman obsessed with the child’s well-being.Read More »

  • Georges Méliès – Le monstre aka The Monster (1903)

    1901-1910FranceGeorges MélièsShort FilmSilentThe Birth of Cinema

    Plot Synopsis:
    An Egyptian prince has lost his beloved wife and he has sought a dervish who dwells at the base of the sphinx. The prince promises him a vast fortune if the dervish will only give him the opportunity of gazing once more upon the features of his wife. The dervish accepts the offer. He brings in from a neighboring tomb the receptacle containing the remains of the princess. He opens it and removes the skeleton, which he places upon the ground close beside him. Then, turning to the moon and raising his arms outstretched toward it, he invokes the moon to give back life to her who is no more. The skeleton begins to move about, becomes animated, and arises. The dervish puts it upon a bench and covers it with a white linen; a masque conceals its ghostly face.Read More »

  • Sergei M. Eisenstein – La Destrucción de Oaxaca (1931)

    1931-1940DocumentaryMexicoSergei M. EisensteinSilentUSSR

    Description: Footage of the aftermath of the January 14 1931 Earthquake in Oaxaca, Mexico.Read More »

  • Frans Zwartjes – Anamnesis (1969)

    1961-1970ExperimentalFrans ZwartjesNetherlandsSilent

    Description: A major new talent in international avant-garde cinema, Zwartjes creates hermetic, obsessive, and “decadent” universes, in which desperate, dissociated males and females, though inextricably bound to each other, never “connect”. Here an impassive, Keaton- like figure engages in a sexual, ominous food orgy with voluptuous, half-nude women whom he paws impotently. A mysterious, powerful tension informs the action. Despite non-communication and mutual defilement of the grossest kind, a profoundly humanist statement emerges; compassion for these victims, “partners” in loneliness. Expressionist style, make-up and lighting as well as complex montage heighten the effect of the tragic tableaux, in which tortured non-heroes operate impotently in hostile space, facing us blindly, nakedly, with all defenses down; compelling us, perhaps, to confront ourselves in like manner.Read More »

  • Raoul Walsh – Regeneration (1915)

    1911-1920CrimeRaoul WalshSilentUSA

    Raoul Walsh had just come off The Birth of a Nation both as one of Griffith’s assistant directors and as an actor (most prominently as John Wilkes Booth), when he made this film. In his autobiography, Walsh credits Griffith with “teaching” him not only about much of the art of fiction filmmaking, but also about production management technics that aided him in taking full advantage of many of New York City’s most pictorial exterior locations. The locations play an important role in adding to the naturalism of an otherwise highly melodramatic plot with the high society young woman turned heroine social worker (much overplayed by a major star of the 1910s, Anna Q Nilsson) and the regeneration of the one-time Lower Manhatan gang leader. The wonder of this film is the performance of the male “star”, Rockliffe Fellowes, who played in over a dozen nearly unremembered films until he died in 1950. His performance is so subtly varied and electrically alive that one is reminded of Brando in his early 1950s films.Read More »

  • Alfred Hitchcock – Downhill (1927)

    1921-1930Alfred HitchcockDramaSilentUSA


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    Quote:
    Roddy, first son of the rich Berwick family, is expelled from school when he takes the blame for his friend Tim’s theft. His family sends him away and all of his friends leave him alone. Roddy decides to go to Paris where he spends what little money he has and starts working as a dancer. He soon becames a victim of alcoholism. Roddy manages to move to England’s colonies but some sailors send him back to his rich family hoping for a reward.Read More »

  • Jean Renoir – Le bled (1929)

    1921-1930AdventureFranceJean RenoirSilent


    29f7c043f76a2bde437fd0d52a185152

    Synopsis
    On a streamer bound for Algeria, Pierre Hofer meets and is enchanted by the beautiful Claudie Duvernet, who is travelling to Algeria to collect her vast inheritance. Claudie is being pursued by some unscrupulous relatives, including the cruel Manuel, who intend to rob her of her new-found fortune. Fortunately, Pierre is on hand to thwart their schemes…Read More »

  • F.W. Murnau – Der Brennende Acker AKA Burning Soil (1922)

    Drama1921-1930F.W. MurnauGermanySilentWeimar Republic cinema


    29f7c043f76a2bde437fd0d52a185152

    When farmer Rog dies, his son Peter stays, but Johannes can not be satisfied with such a condition (and servant Maria’s love) and finds a job as old Count Rudenberg’s secretary. His ambition leads him to charm Gerda, the Count’s unique daughter. But when he discovers that Count’s second wife Helga will soon inherit a field that only he knows his underground is full with petroleum, he changes his allegiance… Greed and death.Read More »

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