Monta Bell

Lights of Old Broadway
Essay by Matthew Kennedy
By 1924, Metro Pictures was ailing. Founded in 1915 it had major successes with child star Jackie Coogan, “Great Stone Face” Buster Keaton, and sensational Rudolph Valentino in Four Horsemen of the Apocalypse (1921). But Metro lost Valentino to Paramount and was also in need of more theaters to better control exhibition. Goldwyn Pictures was in trouble, too, thanks to internecine fights between management and board. A merger could mitigate their respective business worries. When Metro and Goldwyn united on April 17, 1924, with the manipulative, canny, and robust Louis B. Mayer in charge, it became the nascent film empire Metro-Goldwyn- Mayer. Twenty-four-year-old “Boy Wonder” Irving Thalberg, formerly at Universal, was signed as supervisor of production.Read More »

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Directed by Monta Bell, who deserves to be remembered alongside Von Stroheim and other directorial giants of the era, the picture stars Bell’s favorite actress, Norma Shearer, in a dual role. She plays a rich girl, Florence, and a poor girl named Molly, a gangster’s moll.

Having the same actress play both roles is the brilliant touch. The women, of course, look alike, yet no one in the film notices. In the eyes of the world they’re totally different people. The audience, however, sees them as through the eyes of an omniscient observer — recognizing plainly that these women are, essentially, the same.Read More »

A young girl and her father are kicked out of their house by a cruel noblewoman, and the girl’s heart is broken when her sweetheart, the noblewoman’s son, won’t go to Paris with them. After becoming an opera star in Paris, the girl returns to her homeland and finds her romance with the nobleman rekindled.Read More »