SYNOPSIS:
This film’s first shot shows students descending a staircase in a calm, orderly fashion. Its second portrays the same action as a chaotic rush. Separated by slates and Kiarostami’s voice intoning, “sound, camera,” subsequent sequences describe the same dichotomous behavior in a schoolyard, on a school bus, and in the haphazard traffic of Tehran. Kiarostami described this as “a truly educational film,” but it plays more like a quirky philosophic aside.Read More »
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Analyzing the intricacies and variances between differing film titles is something of an indulgence for film critics, especially when they’re searching for a quick, utilitarian lead into otherwise complex films. Mohsen Makhmalbaf’s film à clef revisitation (or, rather, a cinematic palimpsest) of a violent 1974 encounter from his past as an angry young fundamentalist went by the title A Moment of Innocence in its European and American releases, but its original Farsi title was actually Bread and Flower. The latter title refers to the two objects that play into the all-important remembered event, when Makhmalbaf stabbed one of the Iranian Shaw’s policemen in an attempt to snatch his gun away, an attack that led to the future director’s incarceration. (Makhmalbaf hid his knife under a circle of flatbread; the policeman was holding a flower he intended to offer the entrancing young girl who, unbeknownst to him, was actually a decoy intended to distract the cop so Makhmalbaf could steal his firearm.) Some 20 years later, while a reformed and de-radicalized Makhmalbaf was directing Salaam Cinema, the now former-policeman approached Makhmalbaf again, their meeting (and triggered memories) spurning A Moment of Innocence, a title of which seems to echo the film’s aura of reflective enlightenment and mutual cooperation between the two men (as opposed to the Farsi title’s emphasis on the fragmented multiplicity of memory).Read More »
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Consistently voted as one of the greatest national films of all time by Iranian critics, Tranquility in the Presence of Others is an early film by Iranian auteur Naser Taghvai. A painfully honest portrayal of alcoholism and promiscuity and their effects on family relations, Tranquility hails from the deepest corners of Iranian society but delivers to a universal audience, exploring themes that remain relevant to this day.
In the film, a retired lieutenant who has recently married a much younger woman after the death of his wife returns from rural Iran to Tehran to live with his two daughters. The housemaid tries her best to hide from him the fact that his daughters live a life of decadence and promiscuity. Nevertheless, his uneasiness with their lifestyle leads him to alcohol and slowly drives him to insanity. Suicide attempts, unwanted pregnancies and marriages and tense relationships between family members create an environment far from the poetic Tranquility of the title.Read More »
Synopsis
A haunting love story that spans three decades, Rhino Season is based on the tragic story of a Kurdish poet and family friend of Ghobadi’s who was unjustly incarcerated during Iran’s Islamic Revolution. The victim of a personal vendetta, Sahel (Behrouz Vossoughi) is thrown into prison along with his devoted wife Mina (Monica Bellucci). Inexplicably released after serving a ten-year sentence, Mina is informed by the authorities that Sahel is dead. Heartbroken, she and her two children leave Iran for Istanbul — unknowingly leaving behind her very-much-alive husband, who is forced to stay in prison for another twenty years. Finally released, Sahel sets out to find his wife, the memory of whom was the only thing that had sustained him throughout his agonizing ordeal. But after clinging to an intangible vision for so many years, what is the reality that awaits him now?
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Gabbeh is a brilliantly colorful, profoundly romantic ode to beauty, nature, love and art. Mohsen Makhmalbaf originally traveled to the remote steppes of southeastern Iran to document the lives of an almost extinct tribe of nomads. For centuries, these wandering families created special carpets – Gabbeh – that served both as artistic expression and autobiographical record of the lives of the weavers. Spellbound by the exotic countryside, and by the tales behind the Gabbehs, Makhmalbaf’s intended documentary evolved into a fictional love story which uses a gabbeh as a magic story – telling device weaving past and present’ fantasy and reality.Read More »
Movie Review
The Children of Heaven (1997)
FILM REVIEW; For a Pair of Sneakers, Longing, Lies and a Plan
By JANET MASLIN
The young hero of Majid Majidi’s ”Children of Heaven” is played by Mir Farrokh Hashemian, a desolate-looking boy with huge brown eyes and a way of sending tears suddenly rolling down his cheeks. Those tears well up with some regularity during this film about 9-year-old Ali, his younger sister Zahra (Bahareh Seddiqui) and their scheme for sharing a pair of his tattered sneakers. The children want to hide the fact that Zahra’s shoes have been lost because this will be a hardship for their parents. The family’s carefully detailed poverty, which reflects the filmmaker’s own childhood experience, colors everything that happens in this story.
Events in the film are seen through the children’s ingenuous eyes, as is so often and artfully the case in Iranian films. (A child’s-eye view is, among other things, helpful in circumventing Government censors.) But in the more honest, less manipulative films that this one resembles — especially the graceful work of Jafar Panahi (”The White Balloon,” ”The Mirror”) — what the young characters observe is liable to be more surprising than it is here. In ”Children of Heaven,” life is sweet despite countless hardships, and no reality beyond the economic intrudes upon a fairy tale atmosphere. Only through heavy-handed emphasis does the quest for new sneakers take on any greater meaning.Read More »
Also known as The Epic Of Gorgan Village Boy, is a modern-day epic that attempts to retrace the true circumstances of a heroic act in the north-Iranian countryside. One rainy night near the village of Gorgan, a schoolboy discovered that the heavy rains had washed away the soil underneath a section of railroad tracks. He proceeded to stop an oncoming train by lighting his coat on fire, standing on the tracks and waving it. Doing so, the schoolboy prevented a terrible railroad accident. Incorporating newspaper reports and interviews with railroad employees, the governor, the chief of police, the village teacher, students and villagers, Shirdel describes the events, or better, the divergent recollections of them. The skilfully and cyclically edited footage is riddled with contradictions. How could this young hero have set fire to his coat in the pouring rain? Did he even exist? According to one toothless old man, “It’s all just a pack of lies.”Read More »
Against the tumultuous backdrop of Iran’s 1953 CIA-backed coup d’état, the destinies of four women converge in a beautiful orchard garden, where they find independence, solace and companionship. (IMDb)
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WOMEN WITHOUT MEN, an adaptation of Shahrnush Parsipur’s magic realist novel, is acclaimed Iranian artist, Shirin Neshat’s, first feature length film.
It is an incisive and sumptuously filmed reflection on the pivotal moment in history that directly led to the Islamic revolution and the Iran we know today.
The story chronicles the intertwining lives of four Iranian women during the summer of 1953; a cataclysmic moment in Iranian history when an American led, British backed coup d’état brought down the democratically elected Prime Minister, Mohammad Mossadegh, and reinstalled the Shah to power.
Over the course of several days four disparate women from Iranian society are brought together against the backdrop of political and social turmoil. Fakhri, a middle aged woman trapped in a loveless marriage must contend with her feelings for an old flame who has just returned from America and walked back into her life. Zarin, a young prostitute, tries to escape the devastating realization that she can no longer see the faces of men. Munis, a politically awakened young woman, must resist the seclusion imposed on her by her religiously traditional brother, while her friend Faezeh remains oblivious to the turmoil in the streets and longs only to marry Munis’ domineering brother.
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Plot:
Tara, the young beautiful widow, returns with her two little kids from country to her village. In her way home, she finds out that her grandfather has passed away. She distributes grandpa’s belongings among her neighbours. But there remains an old sword that no one accepts it. One day on the road, she meets an old-time warrior. He claims that his clan have sent him to present time to take the old sword back. Tara finally submits the sword to him, but he comes back saying that he has fallen in her love.Read More »