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The anti-psychiatric Socialist Patients’ Collective (SPK) was founded in Heidelberg in 1970 and attributed individual suffering to society’s capitalist structures. It began as a self-organized experiment in group therapy led by doctor Wolfgang Huber with psychiatric patients, featuring Hegel readings and individual agitation, before subsequently radicalizing, which ended in criminal proceedings against its members, some of whom went underground with the Red Army Faction.Read More »
Séraphine and her mother arrive in Paris to visit the 1867 World Exhibition. In an overcrowded city they must be accommodated in separate hotels. During the night the mother, who wasn’t feeling very well, gets suddenly worse. When next morning Séraphine goes to meet her every trace of her presence has disappeared and everybody denies having ever met her. The bewildered young woman must find someone who believes her.Read More »
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Luz, a young cabdriver, drags herself into the brightly lit entrance of a run-down police station. A demonic entity follows her, determined to finally be close to the woman it loves.Read More »
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In 1914, with men gone to war, Marcel Proust hired Céleste Albaret as his attendant. More than eight years later, she was at his side when he died. During this entire time, she only entered his room when he rang for her, sleeping from 9 AM to 3 PM to wait during the night while he wrote. Marcel uses her as more than a servant: she is his muse, telling stories of her childhood to stir his remembrance of things past; she’s in cahoots with him as he manipulates those he wants to draw on for his writing; she listens appalled to his descriptions of the underside of Paris. Hers is a life of love and sweet devotion as he races time to finish his work before death.Read More »
This historical-biographical film begins in the first days of November 1918 on the western front. News comes to the soldiers of a revolutionary uprising in Kiel. Young Thälmann, a soldier against his will, would like to join the expanding conflict on the side of his comrades in Hamburg. As the revolution becomes threatened by the betrayal of the right-wing Social Democrats and the splintering of the working class, he nevertheless tries unremittingly to unite the workers. The reactionaries grow ever stronger and the neediness of ordinary people multiplies. In this dire situation, the Hamburg police commissioner would like to block the unloading of a ship full of provisions that were sent from Petrograd as a message of solidarity. But Thälmann prevails in unloading it. The high point and conclusion of the first part of the Thälmann films is established at the Hamburg Uprising in October 1923.Read More »
The second part of the Ernst Thaelmann films encompasses the time period between 1930 and Thaelmann’s murder in 1944. It shows Thaelmann’s battle to achieve a united front with all German workers against the National Socialists, his arrest following Hitler’s seizure of power and the eleven years of his incarceration, in which he unwaveringly clings to his beliefs until his death. An attempt to free him on the part of his comrades ends disastrously, and a corrupt offer of freedom from Goering himself receives Thaelmann’s refusal. Read More »
This is Willi Forst’s second collaboration with director Géza von Bolvary, made shortly after the far better known “Zwei Herzen im Dreivierteltakt” (in which he didn’t have first billing, though). Again, the script is by Walter Reisch and the music is by Robert Stolz.
In “Ein Tango für Dich”, Forst plays Jimmy Bolt, who is working as a singer and dancer (and occcasionally as a waiter) at a varieté. The man may be talented, but he’s not exactly a big success, and things get complicated when a young orphan girl (Fee Malten) falls in love with the voice of another singer (Oskar Karlweis) but then mistakes Bolt for him…Read More »
A single woman in her early thirties, Martha (Margit Carstensen) is on vacation with her father in Rome when he has a heart attack and falls down dead. She reacts rather indifferently and returns home to her highly-strung mother and begins to new era of her life taking care of a completely ungrateful and insulting mother (declining an offer of marriage from her boss). After a barrage of verbal abuse and offensive remarks from her mother who see’s her as an ‘ugly old spinster’ she accepts a proposal of marriage from an equally insulting and disrespectful man, Read More »
Criterion wrote:
Years before they became major players in Hollywood, a group of young German filmmakers—including eventual noir masters Robert Siodmak and Edgar G. Ulmer and future Oscar winners Billy Wilder and Fred Zinnemann—worked together on the once-in-a-lifetime collaboration People on Sunday (Menschen am Sonntag). This effervescent, sunlit silent, about a handful of city dwellers (a charming cast of nonprofessionals) enjoying a weekend outing, offers a rare glimpse of Weimar-era Berlin. A unique hybrid of documentary and fictional storytelling, People on Sunday was both an experiment and a mainstream hit that would influence generations of film artists around the world.Read More »