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A strong tale of racial integration, two different stories of young men who both are looking for a land to put their roots down.Read More »


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A strong tale of racial integration, two different stories of young men who both are looking for a land to put their roots down.Read More »
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This film is dedicated to Mas-Félipe Delavouët, the poet discovered by Lawrence Durrell, who wrote 14,000 verses in Provençal over a period of thirty years, and who died on November 18, 1990. “The sky, history and Mediterranean and Provençal myths are the inexhaustable wellspring of this man rooted down there, near Salon-de-Provence” (J.-D. Pollet).Read More »


Womanizer Don Mateo helps a girl in a train when attacked by a other woman. This girl, Conchita – a cigarette maker, soon visits the rich Don Mateo at his palace in Sevillia. He falls for her, but she likes to play with him.Read More »


Light Industry wrote:
In 1926, André Gide set sail from Bordeaux to French Equatorial Africa and the Belgian Congo with Marc Allégret, his 25-year-old former student and lover of nearly a decade, who was brought on the trip officially as Gide’s “secretary.” Gide had been inspired to visit Africa by reading Joseph Conrad’s Heart of Darkness and planned his itinerary with Allégret as something of a recapitulation of Conrad’s fictional expedition. Travelling for thousands of miles by railway, river, and foot, through areas that today comprise the Democratic Republic of the Congo, the Central African Republic, Chad, and Cameroon, the pair spent time with colonial agents and indigenous communities. Both Gide and Allégret produced important records of their epic journey. Gide kept diaries that he quickly published in two volumes, Voyage au Congo (1927) and Le Retour du Tchad (1928), while Allégret took some seven hundred photographs and shot the film Voyage au Congo: Scènes de la Vie Indigène en Afrique Équatoriale, one of the earliest feature-length ethnographic documentaries to be made on the continent.Read More »


Louis decides to leave his wife and finds his happiness elsewhere. Along the way, he meets a man with whom he falls in love.Read More »


Documentary master Frederick Wiseman’s 38th film in a career that has spanned more than that number of years, turns his attention to one of the world’s greatest ballet companies, the Paris Opera Ballet. John Davey’s camera roams the vast Palais Garnier, an opulent 19th century pile of a building: from its crystal chandelier-laden corridors to its labyrinthine underground chambers, from its light-filled rehearsal studios to its luxurious theater replete with 2,200 scarlet velvet seats and Marc Chagall ceiling. LA DANSE devotes most of its time to watching impossibly beautiful young men and women — among them Nicolas Le Riche, Marie-Agnès Gillot, and Agnès Letestu — rehearsing the choreography of Mats Ek, Wayne McGregor, Rudolf Nureyev and Pina Bausch. For balletomanes and the curious alike, LA DANSE serves up a scrumptious meal of delectable moments, one more glorious than the next, made even more precious by their ephemeral nature.Read More »


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Judith leads a double life: two lovers, two sons in France and one daughter in Switzerland. Entangled in secrets and lies, her lives begin to shatter.Read More »


Synopsis:
Documentary filmmaker Frederick Wiseman makes his second fictional feature with La Dernière Lettre (The Last Letter). Anna Semyonova (Catherine Samie) is locked up in an occupied Ukrainian ghetto in 1941. Adapted from Vasily Grossman’s novel Life and Fate, the film consists of the woman reciting a monologue of the final letter she wrote to her son before the Nazis came for her. Shot in black-and-white, the only other characters in this film are the shadows on the wall.Read More »


The film consists of four sex comedies – each are approximately thirty minutes in length – from four different countries.
1 – An Englishman’s Home.
A coarse, sex-obsessed chauffeur named Harry (Roger Moore) takes advantage when the real lord of the manor is away on a weekend business trip by presenting himself as his lordship. He picks up Donna (Priscilla Barnes), a beautiful air hostess from America, and takes her to the castle for a passionate weekend, but the ruse is jeopardised when one of the real lord’s lady friends unexpectedly comes to visit.Read More »