This little film was shot by Jean-Luc Godard in 1981 when he was visiting Francis Ford Coppola’s Zoetrope Studios in San Francisco, where Coppola was directing One from the Heart. It stars Andrei Konchalovsky reading a book about Cézanne, while a crew is trying to fix the light to film a painting by Georges de La Tour, Le Nouveau-né.
A few seconds of this film are included in Godard’s Les trois désastres.Read More »
Sex-Power (L’homme coeur) is a film about what happens when imagination takes over. It is the story of a boy (Alain Noury) in search of himself and of the real meaning of freedom: a twenty-year-old face to face with Woman, with Love.His emotional education takes place between two journeys: a solitary trip across America -in the grip of the hippie myth- and a long oneiric odyssey on the part of the hero, who lets his mind dwell at length on the temptation provided by women other than the one who loves him. So Alain is torn by an emotional reality -his relationship with Jane (Jane Birkin)- and the wanderings of his youthful imagination. Read More »
The voices say a story. forget it. Of what time. And who speaks. Both of them. One or the other. later. Others may be. Of chance. Which would cross in this narrative. When. The times have intermingled. The winds meet. History. Pictures. The summer. Humble vacancy with furtive foliage. Fragile memory. Light is a trace of forgetfulness.Read More »
Revolutions, natural disasters, toxic fall-out, plane crashes – these are all part of the running picture of news against which America’s leading novelist, Don DeLillo , sets his fiction. In this film, as in his novels, DeLillo pinpoints the deep unease beneath the surface of our lives. The film begins with the assassination of President Kennedy and the politics of violence it brought to television screens for the first time. It goes on to look at the way the media has continued to feed its audience images of disaster and terror: massacres in great public squares, disasters in football stadiums, and dramatic acts of terrorism. DeLillo explores the relationship between words and images, and between gunmen and the novelist.Read More »
Nursing homes in Holland have a long waiting list. It has become customary to register as early as possible to ensure future placement.
Impressive is Rob Houwer’s film which casts its eye on an old peoples’ home. Filmed in colour, it contains the haunting image: an eerie, disquieting shot of numerous residents all peering out of their windows simultaneously, all silent, all looking heartbreakingly lonely. Were this a horror film it would be terrifying, as it is it strikes a more melancholy chord.Read More »
Summary:
Broodthaers’s first film, Clef d’Horloge was made using a borrowed camera and some film stock that he had been given. It was shot at the Palais des Beaux-Arts, Brussels, in 1956, during an exhibition of works by Kurt Schwitters. The film is made in negative and positive and is based on several works that were on display. It premiered on 23 April 1958 at ‘Filmexprmntlfilm’, an experimental film convention in Brussels.
La Clef de l’Horloge, a so-called documentary about the poet, painter and uber-bricoleur Schwitters, is ‘rounded off’ by adding a love poem. The film shows close-ups of Das Sternenbild [The Constellations]. Starry skies and other similar constellations often reappear in later works and also recur in his films.Read More »
Quote:
«La Région Centrale» was made during five days of shooting on a deserted mountain top in North Quebec. During the shooting, the vertical and horizontal alignment as well as the tracking speed were all determined by the camera’s settings. Anchored to a tripod, the camera turned a complete 360 degrees, craned itself skyward, and circled in all directions. Because of the unconventional camera movement, the result was more than merely a film that documented the film location’s landscape. Surpassing that, this became a film expressing as its themes the cosmic relationships of space and time. Cataloged here were the raw images of a mountain existence, plunged (at that time) in its distance from civilization, embedded in cosmic cycles of light and darkness, warmth and cold.Read More »
Quote:
This Belgian surrealist work consists of two films, one commenting on the other, concerning a young man with a crucifixion complex. Imagining crosses everywhere, he even cuts his fried potatoes in the shape of a cross. Unable to buy a large cross, he settles for sixty francs worth of small ones, which he carries of in a paper bag. When the cross he finds to crucify himself on proves too small, a kindly priest volunteers to nail his feed to the floor. – J.H. Matthews, Surrealism and Film, 1971Read More »
“A collection of previously almost impossible to find early Psychic TV and Temple of Psychick Youth (TOPY) film and video creations unearthed from the archives of Porridge with Everything Inc. These include works by and/or featuring Derek Jarman,Genesis Breyer P-Orridge, Peter “Sleazy” Christopherson, Trojan, John Balance, Leigh Bowery, Cerith Wyn Evans, Marie Losier, Nicolas Jenkins, Mr. Sebastian, Hazel Hill, Lady Jaye P-Orridge and others.
DVD compiled and mastered by Hazel Hill. “Read More »