Experimental

Review from TimeOut:
Shot in Paris, it chronicles a couple of distracted days in the life of Orlando (Miranda), an American sports journalist, during which her near-incestuous obsession with her late brother finally prompts her French lover to pack his bags and split. Little else happens: she misses a deadline (Scott Thomas cameos as her editor), meets a basketball team in their locker room and replays some of her brother’s old smell-o-vision software (designed by Chris Marker). But Shamberg uses digital editing to seamlessly integrate her memories/fantasies and larger reflections on the film’s themes into the minimal narrative, generating images of uncommon density and beauty and turning the film into a kind of nervous rhapsody. The ending consolidates the various levels of paradox, bringing us back to earth with an elegiac bump.Read More »

A leather-clad man watches a woman’s apartment before entering it, cutting the phone cord, leaving a calling card, and confronting her with a razor in hand.Read More »

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An optically-printed canvas which explores the interior feel of world moving with inherent fluidity through a medium of wind and water. It presents an impressionistic portrait of unnatural forces that collide.Read More »

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An experimental film poem in celebration of life and visions. Techniques include live action, animation, montage and found images.Read More »

From Experimental Cinema:
In April of 1966, the Leo Castelli Gallery in New York opened an exhibit by the true Jay Gatsby of American art, Andy Warhol. Silver Clouds, as it was called, consisted in its entirety of a roomful of silver, metalized plastic pillow-shaped balloons inflated with helium and oxygen. They floated … that’s all they did … held aloft by the gallery’s own air vents. In comparison to Warhol’s yellow and pink Cow wallpaper exhibit then-ongoing in another part of the gallery, this was a dynamic work, but it was not without its charm for some.Read More »

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Four characters go through a series of deeply emotional, psychedelic, sensual, and sexual encounters, evoking the times and textures of the 1960s underground.Read More »

Orgasm forms part of The ABCs of Death, a horror shorts anthology that unites a diverse collection of international directors in their ability to disgust, amuse, and – perhaps most importantly – provoke its audience. Orgasm certainly is provocative as the film documents a sadomasochistic sequence that includes the erotic asphyxiation of a woman that (perhaps) ends in her death.Read More »

Mental Masturbation, a Super 8 short imbued with a blessed soundtrack of trance music (an element that would be recurrent in all his latter films), was a point of start into what would be the most appreciated (and hated) element of Manuli’s cinema: The rescue of the absurdist to paint an atmosphere of freedom, in which music (in this case, electronic music) serves as the only link of meaningful communication between its characters, or between its protagonists and the settings of his films, the relation man-man and man-nature.
(translated from desistfilm.com)Read More »

An unnamed man wanders into a mysterious basement, only to find his own corpse laying among rusty metal. The two lock eyes, a gloved killer appears.Read More »