Experimental

Bright green leaves stripped from ears of corn, and later, the vibrant yellow ears placed steaming in the waiting bowl.Read More »

The Volcano Manifesto brings together three recent films—My Caldera (2022), Mines to Caves (2023), and The Deep West Assembly (2024)—in an astonishingly ambitious, densely woven meditation on geological and cinematic time.Read More »

Quote:
That even within a dramaturgically relevant omission of the massive cinematic correspondence between Yamada and the painter Yamazaki Mikio, known as OFUKU (Film Letter) I-V (1986-2006), Yamada redefines his syntax for his travel films from the first half of the 1990s. His films become increasingly interwoven: the continuity of a body of work can actually be experienced here, even if it no longer seems desirable in modern times.Read More »

Quote:
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the “forest.” There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York “underground scene” who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus’ Prometheus Bound , finds the personalities of his characters to have a timeless universality.Read More »

Experimental film consisting of images of young women handling automatic handguns and rifles.Read More »

Quote:
A bowl of blueberries in milk, changing light radiant on the berries and on the glazed bowl, the ever more radiant orb of milk transforming into glowing light itself, with a brief shadow coda answering the complex play of shadows. The regular pulses of light framing the looser rhythmus of the spoon, itself a frame. A charging of each of the frame’s edges with its own particular energy. Within and without, whites and blues, lines and curves. The pulses of vision, the simple natural processes, lift the spirit.Read More »

The Decay of Fiction is a 2002 American 35mm part color and part black-and-white experimental film noir project directed by independent filmmaker and artist Pat O’Neill. The film, initially conceived as a documentary, was produced by O’Neill and Rebecca Hartzell for Lookout Mountain Films. Filming took place in Los Angeles. The film is set at the site of the old Ambassador Hotel in Los Angeles. It has no identifiable plot and features no recurring characters.Read More »

Shot in Cambodia and borrowing a title and a punk sensibility from Qiu Miaojin’s classic queer novel, Daphne Xu’s Notes of a Crocodile follows an unnamed woman who roams the streets of a Phnom Penh in flux, encountering humans and animals in her search for a lost friend.Read More »

A parachute jump is performed by an artist and his girlfriend at the opening of an exhibition in the artist’s studio. An art dealer and a number of friends are invited to the event.Read More »