Experimental

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A wild short made as part of a filmmaking workshop that Raúl Ruiz ran in Bogotá in October 1993.Read More »

Shot on the otherworldly beaches of Morocco in silvery black-and-white 16mm Scope, Ben Rivers’ A Distant Episode (named for the Paul Bowles short story inventively adapted in Rivers’ feature The Sky Trembles…, also screening in Wavelengths) transforms behind-the-scenes footage into a dreamy film fragment depicting sci-fi incursions into a mythic landscape.Read More »

Ben Rivers’ films tend to look outward at the larger world. GHOST STRATA is no exception. But to a somewhat different extent, it also looks in. A film diary, it reflects his globetrotting ways, existing in the margins of his otherwise outward-bound filmmaking style. So landscape plays a huge role, and in fact the film takes its title from a geological concept. As a scientist explains in the film, “ghost strata” are theoretical layers of time. When you see the strata of sedimentary rock, you are given to understand that the space around that rock, the very space you occupy, was once filled with earth as well. Rivers composes the film as a calendar, with 12 sections, one for each month of the year of its making. Read More »

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A short continuously looping animation of six grotesque human figures vomiting.Read More »

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“Beating” — to get beaten or give a beating, to beat oneself up. To beat the odds. Metal is forged by beating. Birds beat their wings, the sun beats down, and our hearts… Under this central trope of ‘beating’, with its combined negative and positive implications, the film brings together the individual personally lived and the communal, historic perspective; hatred and forgiveness; laughing and crying. Also brought in relation: the politics of gender and the holocaust; the Old World and North America. Passages of emotion – our lives as we experience them today – move through a terrain of memory and anlaysis.Read More »

Synopsis
As a boy looks for a cybercafé he is overwhelmed by wild waves. A group of boys lives together surrounded by lots of things, they work, walk, talk in very different places, but we are never quite sure where they are. An ant walks across hairs wishing that there were no more idols.Read More »

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“No es” (It isn’t) is a cumulative poem by Mariano Blatt, which is constantly written over the course of a lifetime. The text of the poem, a list of “what seems to be but isn’t”, to which verses are added over days, months, and years, can cover anything: images, people, memories, landscapes, phrases, ideas. With this list ringing in its head, Eduardo Williams’s film Parsi finds itself in a perpetual movement through spaces and around people. We are taken on a breathless ride through bustling neighborhoods, from person to person, thrown, dipped under water, rushed from image to image, creating in the process yet another poem which is caressed by, crashes into, and spins next to “No es”.Read More »

Short piece by Rut Hillarp (De vita händerna) based on a poem by Karl Vennberg.

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Rut Hillarp has an assured place in Swedish literary postwar modernism thanks both to her collections of poetry and her novels, tinged with erotic imagery and mythological patterns. After some decades of silence as a writer she re-emerged in the 1980s as a poet experimenting with photography and photo montage in combination with her poetry. Read More »

After a bike accident, the amnesiac produces one-minute shots. The voice-over weighs in on gender, animals and the end of literary culture. An essay featuring Elvis, wrestlers, boy ballet, naked cyclists and the heavenly voices of ChoirChoir!. (from MUBI)Read More »