Experimental

Quote:
DIRTY is the reincarnation of two girls, a bottle and one bed. Their bodies, hands and face expressions reach out in a refilm look.Read More »

A collection of three short ‘haiku videos’ by Chris Marker.

The first haiku, ‘Yanka / Tchaika’, shows the river Seine passing under a bridge. A bird in flight stays motionless in the air.

The second haiku, ‘Owl Gets in Your Eyes’, shows Catherine Belkhodja smoking a cigarette while a superimposed shot of an owl in flight fades in and out over her face.Read More »

A stark and revealing examination of romantic alliances, Lives Of Performers examines the dilemma of a man who can’t choose between two women and makes them both suffer. Originally part of a dance performance choreographed by Rainer.
Read More »

A fresh, likeable comedy about the beginning, middle and end of a romance, “Love (Part One)” is a charming piece of froth that should hit the mark with young audiences who will see themselves reflected in the 25-year-olds’ pains. The rare indie made without state subsidies, its anti-auteur stance makes sense, though viewers over 30 are likely to find the concept too cute for its own good….Read More »

Quote:
Harun Farocki plunders 40 years of advertising films, which he orchestrates to constitute an ironic 24 hours in the life of typical consumers. Mixing different colours, periods, various “ideologies of well being” to hold up a mirror up to our times, values, worries, hopes.

This collage of “beautiful images”, gleeful and chaotic, deconstructs not only the domestic reference points which punctuate our daily life, but also gives full rein to an off-beat humour in the tradition of Brechtian distanciation.
(Andrei Ujica)Read More »

Quote:
Walking towards the fire. In a ceaseless stream of light, people, landscapes and objects lead us to mysterious regions. French filmmaker Patrick Bokanowski’s work is hard to classify – and all the richer for it. Together with his wife Michèle, whose musique concrète compositions form the basis of the sound design, Bokanowski offers a prolonged, dense and visually visceral experience of the kind that is rare in cinema today. Difficult to define and locate, its strangeness is quite unique.Read More »

Quote:
Film directed from the play Orpheon, directed by François Tanguy, played by the Compagny of Raft.Read More »

Quote:
A 16mm film experiment conducted in 1967 and 1968 in Philadelphia which feature small parts of the Alphabet and the Grandmother.Read More »

When the film Son nom de Venise dans Calcutta désert was initially shown in 1976, many viewers found it hauntingly beautiful but deeply perplexing. Some, seeing it as a sign of Duras’ inability to separate herself from the making of India Song, even ascribed the film to a kind of postpartum depression. Since that time, the film has been placed in perspective as an inseparable component of the India cycle as a whole, although little has been written, with certain notable exceptions, on its specific relation to the other works. Son nom de Venise dans Calcutta désert is a purely metanarrative epilogue that culminates the progressive decomposition of spectacle as well as the dismantling of the neocolonial subject conceived as specular identity that was initiated by previous works in the India cycle.Read More »