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An opera ballet that doesn’t exist. A ghost-like piece, played in Opera Bastille and danced at Opera Garnier, An almost mystical link between both scenes, A musician is testing sounds in Bastille’s pit, The choir are taking their place in the rehearsal studio, Both sides are fine tuning the work in progress of an opera ballet : SARAH WINCHESTER, her grief, her madness, her home and her ghosts.Read More »
Standard Time is 8 minutes and feels, hypnotically, like a time-less segment fragment of life.(Life-physical movement in a space/time enclosure). The camera swivels (pans) left to right, over and over again, then tilts, up and down, over and over again establishing movement as such as the given conditions of perception and existence. This suspended tension of being holds for both the cameraman and the spaces/walls/objects/(people?)…The film establishes each viewer’s autonomous sense of self. The bombarding impulses, through the ‘repeated’ pans/tilts, permit (for each viewer, each time) different moments of reality to become relevant, exciting etc. The speed at which the camera sees the given visually creates frustration at not being able to hold (the) experience, to pattern it in a conventional manner. Michael Snow’s film activates one’s internal mechanisms for grasping, (idiosyncratically, in time), the substances one is faced with, a negates objective experience once and for all. In terms of the politics of experience and human consciousness, few films could be less fascist. Standard Time is also a beautiful ‘8’ minutes. – Peter Gidal.Read More »
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The Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969. They are seen as one of Brakhage’s major works and include the feature-length 23rd Psalm Branch, considered by some to be one of the filmmaker’s masterworks and described by film historian P. Adams Sitney as “an apocalypse of imagination.” One of the filmmaker’s most overtly political films, 23rd Psalm Branch is often interpreted as being Brakhage’s reaction to the Vietnam War.Read More »
An experimental film with various flashing lights, colors, and World War II footage. This is part of the Song series by Stan Brakhage.Read More »
The film portrait falls somewhere between a painting and a prose poem. Sachs looks at a fictional woman’s daily routines and thoughts. By interweaving threads of history and fiction, the film becomes a tribute to a real woman: Emma Goldman.Read More »
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An Ecstatic Experience (2015) incorporates narratives and sounds from different archival media, such as harp recordings by jazz musician and composer Alice Coltrane and a film performance by the actress, playwright, and civil rights activist Ruby Dee in the role of Fannie Moore, a woman born into slavery in 1849 who narrates the story of her mother praying ecstatically that their enslavement be over. Within these montages, Gary intersperses animated scratches, glitches, markings that draw the viewer to an interview with Assata Shakur, a former member of the Black Liberation Army, and scenes from Black Lives Matter protests in Baltimore.Read More »
Lynne and her friend John shot this film with a Regular 8 camera on a roof in San Francisco, literally creating a “drawn and quartered” image. Mostly, they each exist in their own private domains, separated by the barrier of the film frame. Sometimes, however, one person dares to intrude upon the pictorial space of the other.Read More »
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As its name suggests, Nostalgia is autobiographical. Its maker, HOLLIS FRAMPTON, is recognised as one of the leading figures of the New American Cinema, a contemporary of Michael Snow, Paul Sharits and George Landow. This film, made in 1971 and itself part of a larger work called Hapax Legomena relates to a period between 1958 and 1966- before Frampton was known as a film-maker and was working mainly in still photography. Twelve photographs are presented as ‘documents’ of that period. A number are of friends in the New York art world, others are images that were of aesthetic interest. The tone throughout is dry and ironic.Read More »
