Experimental

A man recalls the story of how his bees implanted in him a bee television, causing him to lose all perception of space, time, and self in the deserts of the American West.Read More »

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Benning’s 18-minute study of moonfall in the morning sky– A close cousin to his film “two moons”. A lovely rendition of ‘Moon River’ accompanies the footage, filmed July 24th, 2019.Read More »

“It’s spring, it’s spring, and I feel I’m giving birth myself, to something monstrous, something ugly.” Gibbons enters the woods to begin his destructive campaign against spring, snapping the buds off trees while babbling maniacally. Sabotaging Spring is an impressionistic peek at Gibbons’s paranoid fancy; he explains to his dog, Woody the facts of life, evolution, and whistling.Read More »

A portrait of a filmmaker confessing his remorse at the scandalous manner in which he gathered material for his voyeuristic film, Spying. here an eerie interpersonal relationship is developed between the filmmaker and his camera which culminates in violence…Read More »

Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: “Have you changed?”Read More »

Shot with a cell-phone camera, focuses on the sound of rain and visuals of pretty, multicolored lights blurred in a watery car window.Read More »

An absolute surrealistic movie. Somebody gets killed, his coffin gets out of control and after a surrealistic chase it stops. The person gets out of it and let everybody who followed the coffin disapear.Read More »

Confessions of a Sociopath is a 60-minute autobiographical film on digital video and Super 8 film, conceived as a real-life version of Beckett’s Krapp’s Last Tape. In this film, Joe Gibbons plays a fictionalized version of himself as he discovers a roomful of Super 8 footage from his own life, detailing events he can no longer recall. This footage shows his earlier film experiments, his descent into destructive behavior, and his “bottoming out” on drugs and alcohol. At a certain point, the films are replaced by random photos, police records, and psychiatric hospital records. In the role of the narrator, Gibbons uses psychiatric terminology to describe his past exploits, as a way of poking fun at both his own misfortune and at psychiatry’s ability to medicalize non-conformity. Through Confessions of a Sociopath, the now-reformed narrator seeks to understand his life, and make amends.Read More »