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One of the best films of 2005. — Paolo Bertolin
In the extraordinary film “IDOL”, all aspirations are stunted and all beyonds are ludicrous. The brilliant farce that is “IDOL” is so profoundly pathetic, it is hilarious. Indeed it is so unusual, provocative and at times shattering that a new aesthetic category might be required here. In “IDOL”, Khavn has hit upon a method adequate to the full-of-shitness of the world and a new modality for realism. — Jonathan BellerRead More »
Die Parallelstraße is one of the most mysterious pioneer films of the New German Cinema. It was produced by GBF, a production company for innovative industrial and promotional films and received awards in inter national film festivals. French critic Robert Benayoun called it “a philosophical thriller, a western of meditation which compensates for a whole year of inevitable manifestations of stupidity,” Jacques Rivette put it on his list of the most important films of 1968. The DVD presents for the very first time this “unjustly forgotten masterpiece of the New German Cinema” (Martin Brady) as well as several rare shorts by Ferdinand Khittl (1924-1976) which show his talent for innovative film experiments.Read More »
The expansive mountainscapes of the Andes are the basis for this new, 35mm film by Daïchi Saïto, who won the 2016 Tiger Award for Short Films with Engram of Returning. Once again propelled by the free, pulsating improvisation of saxophonist Jason Sharp, in which his heartbeat and breathing play a prominent role, the series of images slowly becomes more abstract. The end result is a hypnotic, sensory meditation on ‘our’ earth.Read More »
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The Communist Revolution Was Caused By The Sun is the second film of Anton Vidokle’s trilogy on Russian cosmism, a metaphysical philosophy and cultural movement that emerged in the late 19th and early 20th centuries among Russian scientists, intellectuals, artists, and revolutionaries, which speculated on the possibilities of space travel; the use of electromagnetic energies to enhance health, healing, and vitality; and prolonged human lifespan, immortality, and even resurrection. This film focuses specifically on the poetic dimension of the theories of Soviet biophysicist, Alexander Chizhevsky (1897-1964), whose lifework involved the study of the effects of aero-ionization and cosmological fluctuations such as sunspots and solar flares on human health and behaviour.Read More »
This is Cosmos is the first film in a trilogy inspired by the ideas of Russian cosmism, which is a unique phenomenon that emerged in the late 19th century, bringing together religious, philosophical, scientific and aesthetic theories united by a common idea of cosmos as a universal order.
Drawing widely on poems, philosophical texts, scientific writings, academic papers, and historical studies from followers of Cosmism, Anton Vidokle has focused on the writings of philosopher Nikolai Fyodorov, the founder of the movement. In creating his theories of the “Common Cause,” Fyodorov advocated for the development of scientific methods for the radical extension of life and the resurrection of the dead, believing that death was a mistake, “because the energy of cosmos is indestructible, because true religion is a cult of ancestors, because true social equality is immortality for all.”Read More »
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Near Munich, in Bavaria, Germany, is the Schleißheim Palace, where French filmmaker Alain Resnais shot his film Last Year at Marienbad in 1960. Nearby is the Dachau concentration camp, where thousands of people were killed between 1933 and 1945. An essay about the present and the past, beauty and horror, life and death.Read More »
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This film originated from my readings of the One Thousand And One Nights. But unlike the Arabian tales, my stories are all from real life, though at times they too wander into somewhere else, beyond the everyday routine reality.
There are some twenty-five different stories in my movie. Their protagonists are all my good friends and I myself am an inseparable part of the stories. The storyteller of the Arabian Nights was also part of his or her tales.
Some of the people in the movie you’ll recognize, some not. The fact that some of them you’ll recognize has no bearing on the stories: after all, we all recognize John Wayne or Annette Bening, but in their stories they are no longer the people we know.Read More »
Short film on the economic conditions and aesthetic decisions of filmmaking. One of Eric M. Nilsson’s most acclaimed films.Read More »
A hypothetical digital ruin of a virtual Miami street is the backdrop for the monologue of a Miami resident who reflects on the desire for immortality that drives our need to capture everything in an image.Read More »