Experimental

  • Larry Gottheim – Natural Selection (1984)

    Larry Gottheim1981-1990ExperimentalUSA

    Quote:
    Radiating from the Darwinian text-fragments outward through the material is much pictorial and spoken signifying text having to do with issues such as communication, translation, dynamics of perception, art, science, isolation and social interaction etc. In a certain sense a meaning does arise from all of this. At the same time the endless groupings and regroupings of material suggest yet another realm of meaning. Finally it is the experience of our own selection of a pattern among the myriad richness of combining materials, superimposed on my own composed pattern, that opens up the real film–L. G.Read More »

  • Takis Candilis – Petites métamorphoses AKA Small metamorphoses (1975)

    1971-1980ExperimentalFranceShort FilmTakis Candilis

    Synopsis
    ‘Small metamorphoses’ is the name of an old game: different body parts drawn on cardboard were assembled to form endlessly varying characters. A couple and their child. The metamorphosis acts on the characters thanks to a catalyst which is time. This couple refuses this child in order to forget the failure of their love. Changes take place in the relationships, the clothes, the gestures, as time reveals the truth. The child’s awareness is materialised by the ‘miraculous’ death of his parents.Read More »

  • Stephen Dwoskin – Girl (1975)

    Stephen Dwoskin1971-1980ExperimentalUnited Kingdom

    It is quite revealing how complex the simple form is. Shot one to one, a girl is confronted with nothing more than her thoughts. In the period of watching her (while she is looking at you) her expressions and movements turn into a ‘mirror’ for the viewer to experience his or herself. The experience is solely emotive between you and her, and occurs in “real” time. (Stephen Dwoskin)Read More »

  • Stephen Dwoskin – Take Me (1968)

    Stephen Dwoskin1961-1970ExperimentalUnited Kingdom

    A girl is attempting to seduce the beholder : the camera. A visual conveyance through material – film and paint – as the seduction progresses she becomes more covered in paint – representative of the beholder.Read More »

  • Stephen Dwoskin – Grandpère’s Pear (2003)

    Stephen Dwoskin2001-2010ExperimentalShort FilmUnited Kingdom

    “My grandfather was a charming artist and he would have acted if he had had an audience. In this film, taken from family images, it is a simple pear that is the object of his panache.”Read More »

  • Stephen Dwoskin – Dear Frances (2003)

    Stephen Dwoskin2001-2010ExperimentalUnited Kingdom

    `Suddenly and sadly my dear friend Frances died. At that moment of loss I needed to hold on to her. The film is just that.’Read More »

  • Stephen Dwoskin – Dad (2003)

    2001-2010DocumentaryExperimentalStephen DwoskinUnited Kingdom

    ‘An ode to my father, and perhaps to all fathers. Called a “moving painting” by my sister, the film blends found family footage of the young and the ageing father. It takes the tiny gestures of daily life and turns them into the monumental moments of tenderness and respect.’Read More »

  • Anocha Suwichakornpong – Jai Jumlong (2021)

    Anocha Suwichakornpong2021-2030DocumentaryExperimentalThailand

    How do you put together the puzzle if the image is missing? You start from individual pieces and see how they fit together. There are the four young actors on a trip to Kanchanaburi, “a city so meaningful, I’d rather die if I don’t get to be with you”, as the song goes. They stay in a hut in the forest by the river, drink on the terrace, talk and watch the fireworks at night, the same scene they later re-enact on the stage set back in Bangkok. The harried young woman is lost in the same forest, or maybe in the young actress’ dream; when the screen splits into two distinct parts, it’s also not clear how they fit together. The foursome came to Kanchanaburi to see the museum, but it’s closed for refurbishment, although they still manage to walk along Hellfire Pass. You can hear the sounds of construction as the scenery rushes past on the train; you can see the rails rush towards you from the window of the theatre set. If you follow the Death Railway back from the west, you reach Bangkok too, which was once home to the Dusit Zoo; the actors also cluck, howl and bark, in city and country alike. What if the missing image isn’t one place or moment in time, but many?(From Berlinale Forum)Read More »

  • Parviz Kimiavi – Tappehaye queytariye AKA The Hills of Qaytariyeh (1969)

    Parviz Kimiavi1961-1970ExperimentalIranShort Film

    An archeological finding and the stories it may contain. Made with great humor.

    From Wikepedia:
    Parviz Kimiavi (Persian:پرويز کيمياوی; Born 1939, Tehran) is an internationally acclaimed Iranian (Persian) film director, screenwriter, editor and one of the most prominent figures of Persian cinema of the 20th century.

    Kimiavi studied photography and film at l’École Louis Lumière (Louis Lumiere School of Cinematography) and IDHEC. His works gained critical success and won several prizes in important international events such as Berlin and Cannes.Read More »

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