Mike Kelley

  • Mike Kelley and Michael Smith – A Voyage of Growth and Discovery (2009)

    2001-2010ExperimentalMichael SmithMike KelleyUSA
    A Voyage of Growth and Discovery (2009)

    “Michael Smith is a big baby. Well, not all the time. But when he gets into his droopy diapers and lacy bonnet, adds sunglasses and a pacifier, and totters around on his stumpy legs as Baby Ikki, he’s as riveting to watch as any real toddler, albeit larger, hairier and a bit scary. Mr. Smith, the multitalented performer, video maker and multimedia artist, has been doing this character for about 30 years, and it never gets old.Read More »

  • Mike Kelley and Ericka Beckman – Blind Country (1989)

    1981-1990Ericka BeckmanExperimentalMike KelleyUSAVideo Art
    Blind Country (1989)

    “BLIND COUNTRY is a collaboration between myself and filmmaker Ericka Beckman. It was inspired by the H.G. Wells short story The Country of the Blind, which was a favorite of mine as an adolescent. I was both fascinated and repulsed by this tale of a man having to give up his eyes to live in an alien sightless society. In rereading it as an adult I was struck by the obvious fact, which I was oblivious to as a boy, that it is a castration story, and by the thinly veiled sexual and racial fears within it. Blind Country bears no discernable reference to the Wells story but instead plays with these subtle underlying themes.” – Mike KelleyRead More »

  • Mike Kelley – Day Is Done (2006)

    2001-2010Mike KelleyUSAVideo Art

    Mike Kelley’s Magnum Opus: Day is Done released as a 2 DVD set (169 minutes). Written and directed by Mike Kelley, with original music by Mike Kelley and Scott Benzel, choreography by Kate Foley

    Quote:
    The first of the projected 365 videos, Extracurricular Activity Projective Reconstruction #1 (A Domestic Scene) was shown at the Emi Fontana Gallery in Milan and then in “Apocalypse: Beauty and Horror in Contemporary Art” at the Royal Academy of Arts, London, in 2000. The tape was a half-hour melodramatic play mimicking the look of ’50s TV dramas. With the current series I didn’t want people to get so caught up in the individual tapes; rather, I wanted to create an experience akin to channel surfing.Read More »

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