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Lee, a Chinese man, works as a waiter in a hotel in England, despite speaking very little English. Told that a girl called Iris might be interested in him, on his afternoon off work he buys a box of chocolates and sets off to find her.Read More »
A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town she finds out that their support has a price.Read More »
Ann, 23 years old, lives a modest life with her two kids and her husband in a trailer in her mother’s garden. Her life takes a dramatic turn, when her doctor tells her that she has uterine cancer and only two months to live. She compiles a list of things to do before she dies.Read More »
AMG: Shanghai Blues combines romantic comedy, slapstick, music, and several classic coincidences (a favorite ploy of director and writer Tsui Hark to tell the story of a man (Kenny Bee) and a female dancer (Sylvia Chang) who meet under a Shanghai bridge in 1937 as they seek shelter from the Japanese bombing of the city. They are immediately drawn to each other and make a pact to meet under the bridge again when the war has ended. But their plans are thwarted and ten years later, the man gets an apartment in Shanghai (where he works as a musician, songwriter, and clown) unaware that the dancer — for whom he has been searching — is his downstairs neighbor. Meanwhile, a young, bubbly woman makes friends with the dancer at the club where she performs and inadvertently causes a considerable mix-up that at first looks fated to keep the star-crossed lovers apart.Read More »
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A struggling actress forges an unusual family unit with two separate boyfriends in this romantic comedy from indie auteur Gregg Araki. Veronica (Kathleen Robertson) hasn’t had a decent date for a year, but one Halloween she meets not one but two perfect guys: Zed (Matt Keeslar), a rock drummer who does her on the floor of a club bathroom after his show, and Abel (Johnathon Schaech), an affable rock critic and would-be novelist, who seems more interested in connecting with her soul than her private parts. Unable to lie to either guy about her attraction to both of them, Veronica soon convinces them to share her. Eventually, the unemployed Zed and the underemployed Abel even move in with her, resulting in kinky sex and domestic bliss. Trouble comes calling, however, in the form of an unplanned pregnancy — and in the person of Ernest (Eric Mabius), an aptly named TV director, who gives Veronica her big break and the chance to play house and raise her child in a monied, more normal environment. Read More »
Synopsis:
Lash of the Czar was one of several English-language titles for the Russian film Belyi Orel. The film was based on The Governor, a play by Leonid Andreyev. V.I. Kachalov plays the governor of a small Russian province who tries to treat the people under his authority with kindness and equanimity. But when a local factory goes on strike, the governor buckles under to pressure from the Czar and orders the wholesale slaughter of the strikers. He pays for this betrayal of his trust with his life — at the hands of a courageous Bolshevik spy. Anna Sten, who in 1934 was brought to the U.S. as Sam Goldwyn’s “answer” to Greta Garbo, appears as the governor’s wife. ~ Hal Erickson, RoviRead More »
A German Jewish engineer is the only survivor of a concentration camp where he would work in a counterfeiting unit.Read More »
Lara has just turned sixty; it’s a very special day that will culminate in a career-defining piano concert given by her son. Viktor remains elusive, however, and his mother’s repeated attempts to get through to him come to nothing. German acting legend Corinna Harfouch stars in this precisely crafted psychological study by one of the most successful German filmmakers of his generation, Jan-Ole Gerster, who here takes up the thread of his critically acclaimed debut Oh Boy.Read More »
In 1966, Mikio Naruse made two films that featured elements of the suspense/thriller genre. According to IMDb, The Stranger Within a Woman came first in January. Then in April, this film was released
Here’s Michael Kerpan’s review of the film:
In Naruse’s next to last film, he returned to cinemascope format, but stayed with black and white film. This is once again, in terms of plot, a bit of a shocker. Soon after we meet Kuniko (a young widow, played by Hideko Takamine) and her much-beloved young only son, the boy is run over by Kinuko (played by Yoko Tsukasa the rich spoiled wife of an automobile executive). Kinuko, it turns out, was distracted at the time of the accident because her companion in the car, a hunkish younger man who is her lover, had just told her of his plan to soon begin a far-away job. Kinuko tells her husband of the accident (but not the precipitating cause), and he orders the corporate chauffeur (Yutaka Sada, who was also the unfortunate chauffeur in “High and Low”). Luckily for him, he gets off with a small fine and a suspended sentence.Read More »