Gregg Araki

Michael, Rachel and Sara never really got over the fact that The Revolution sold to them as undergraduates by Patti Smith and the Sex Pistols turned out to be just another pile of media-hype. Stranded as they are in the 80s, they’re more than a little alienated, cynical and just plain bored. They’ve lost touch with one another, with themselves, and are having a hard time connecting with their love partners as well. Needless to say, when this emotionally unstable group spends a weekend together, they most certainly are not going to sit around listening to old Motown Records.Read More »

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This is a BR rip of Gregg Araki’s latest film, his follow up to the great Mysterious Skin (2004), which was probably the best (and best reviewed) film of Araki’s career, after an uneven run of making strange, campy, low-budget films such as The Doom Generation (1995) and Nowhere (1997). Now Araki does something completely different, creating the indie answer to mainstream “pot comedies” such as Harold and Kumar Go To White Castle and the Cheech and Chong films. Read More »

Six queer teenagers struggle to get along with each other and with life in the face of varying obstacles.Read More »

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Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.Read More »

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Luke is a gay hustler. Jon is a movie critic. Both are HIV positive. They go on a hedonistic, dangerous journey, their motto “Fuck the world”.Read More »

Mysterious Skin (2004)
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A teenage hustler and a young man obsessed with alien abductions cross paths, together discovering a horrible, liberating truth.Read More »

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A struggling actress forges an unusual family unit with two separate boyfriends in this romantic comedy from indie auteur Gregg Araki. Veronica (Kathleen Robertson) hasn’t had a decent date for a year, but one Halloween she meets not one but two perfect guys: Zed (Matt Keeslar), a rock drummer who does her on the floor of a club bathroom after his show, and Abel (Johnathon Schaech), an affable rock critic and would-be novelist, who seems more interested in connecting with her soul than her private parts. Unable to lie to either guy about her attraction to both of them, Veronica soon convinces them to share her. Eventually, the unemployed Zed and the underemployed Abel even move in with her, resulting in kinky sex and domestic bliss. Trouble comes calling, however, in the form of an unplanned pregnancy — and in the person of Ernest (Eric Mabius), an aptly named TV director, who gives Veronica her big break and the chance to play house and raise her child in a monied, more normal environment. Read More »

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Six queer teenagers struggle to get along with each other and with life in the face of varying obstacles.

Fernando F. Croce wrote:
Gregg Araki once described Totally F***ed Up, his follow-up to the 1992 New Queer Cinema staple The Living End, as a “rag-tag story of fag-and-dyke teen underground…a kind of cross between avant-garde experimental cinema and a queer John Hughes flick.” The statement attests not only to Araki’s committed radicalism, but also to his sense of how the politics of pop culture play to alienated youth. He probably loved a rave from a San Francisco paper hailing the film as “a ‘90s version of The Breakfast Club.”Read More »

AllMovie Plot Synopsis by Hal Erickson
The titular trio in Three Bewildered People in the Night is played by Darcy Marta, Mark Howell and John Lacques. Experimental filmmaker Gregg Araki follows the threesome — aspiring artists all — as they wander through the apartments, galleries and coffee shops of Greenwich Village. Their lives are complicated by their carnal urges, both homosexual and otherwise. A multiple award winner at the 1988 Locarno Film Festival, Three Bewildered People never receives widespread distribution.Read More »