Classics

  • Fred Niblo – Sex (1920)

    USA1911-1920ClassicsFred NibloSilent

    Plot Outline: A broadway actress uses her sex appeal to ruin a marriage only to dump her lover for a richer prospect.
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  • William D. Russell – Best of the Badmen (1951)

    1951-1960ClassicsUSAWesternWilliam D. Russell

    Plot:
    After the Civil War, Union Major Clanton captures survivors of Quantrill’s Raiders, and gets them clemency at the cost of shooting a mob member. Convicted of murder by a kangaroo court, Clanton escapes and joins the former raiders in a gang devoted to robbing everything protected by the corrupt detective agency of his enemy Fowler; culminating in a personal showdown. Written by Rod CrawfordRead More »

  • George Archainbaud – Penguin Pool Murder (1932)

    1931-1940ClassicsGeorge ArchainbaudMysteryUSA

    RKO Pictures launched what could have been one of the great detective series in 1932, when Edna May Oliver starred in “The Penguin Pool Murder”. As Stuart Palmer’s elderly schoolteacher turned sleuth Hildegarde Withers, Oliver was one of the screen’s most liberated women, defying Police Inspector Oscar Piper (James Gleason) to track down killers with little regard for his pride or her own safety. Although Oliver left the series after only two more installments, leading to a serious decline in quality for the films, her first two outings in particular were years ahead of their time, thanks to director George Archainbaud’s uniquely visual narrative skills and for the films’ depiction of an older, independent woman.
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  • Howard Hawks – Bringing Up Baby (1938)

    1931-1940ClassicsComedyHoward HawksUSA

    Synopsis wrote:
    David Huxley is waiting to get a bone he needs for his museum collection. Through a series of strange circumstances, he meets Susan Vance, and the duo have a series of misadventures which include a leopard called Baby.

    Rob Nixon, Kerryn Sherrod & Jeff Stafford wrote:

    Why BRINGING UP BABY is Essential

    In the eyes of many critics, Bringing Up Baby is the quintessentialscrewball comedy, incorporating all the standard elements of the genre such as themadcap heiress, a hapless leading man virtually victimized by herattentions and a group of stuffed shirts whose pomposity is deflated by thefarcical goings on. It also stands as a prime example of the liberatinginfluence of eccentricity (and the female) in the screwballcomedy.Read More »

  • Georgi Kropachyov & Konstantin Yershov – Viy AKA Viy or Spirit of Evil (1967)

    1961-1970ClassicsGeorgi Kropachyov and Konstantin YershovHorrorUSSR

    This Russian film adaptation of Nikolai Gogol’s story was for a long time the only horror film made in the Soviet Union. Khoma (Leonid Kuravlev), a young novice, travels across the countryside and stays for a night in a barn that belongs to an ugly old woman. When she attacks him at night and takes him for a broom ride, the scared novice fatally wounds her, and before she dies, she turns into a beautiful young noblewoman (Natalya Varley). The latter leaves a will, according to which Khoma should pray for her for three nights in the chapel until her body is buried. At night, the witch rises from the coffin and tries to catch Khoma. She flies around but she can’t reach him or see him because he stays inside the circle that he has drawn around himself. During the third and last night, the witch makes the last attempt to scare him out of the circle, and she calls all sorts of ugly creatures to help her… Gogol wrote several stories based on Ukrainian folklore, many of them dealing with the Devil and the supernatural. ~ Yuri German, All Movie GuideRead More »

  • Alessandro Blasetti – Palio (1932)

    1931-1940Alessandro BlasettiClassicsDramaItalian Cinema under FascismItaly

    IMDb:
    An anticipation of Blasetti’s style. A great movie about the Siena Palio. Guido Celano (Zarre) is a very good actress and Leda Gloria too. The Tuscany environment is very well depicted. The performing style is influenced by the period, but it is quite good anyway. It is a very uncommon movie and the best representation of Palio, a religious and sporting event in Siena. Blasetti, then, after Il Palio and Terre Sole, start a wonderful career as director and will anticipates the “neorealism” with his 1942’s movie “Quattro passi fra le nuvole”. Very impressive the opening scene with Zarre riding a horse in the Siena countryside.Read More »

  • Robert Parrish – My Pal Gus (1952)

    1951-1960ClassicsComedyRobert ParrishUSA

    Plot:
    Gus (George Winslow) is the young son of divorced industrialist Dave Jennings (Richard Widmark). Unable to cope with Gus’ mischievous streak, Jennings places the boy in a day-care center. Gus’ teacher Lydia Marble (Joanne Dru) manages to curb the boy’s prankishness, and along the way falls in love with Jennings. Enter the villainess of the piece: Jennings’ ex-wife Joyce (Audrey Totter), who claims that the divorce is invalid and demands a huge sum from Jennings, lest she claim custody of Gus. In the end, it comes down to priorities: does Jennings value his son over his money, or vice versa? My Pal Gus is no Kramer vs. Kramer, but it does pass the time in an agreeable manner.Read More »

  • Billy Wilder – Ace in the Hole (1951)

    1951-1960Billy WilderClassicsFilm NoirUSA

    Review:
    All Movie
    A movie truly ahead of its time, Ace in the Hole (also known as The Big Carnival) turned out to be too bitter and cynical for moviegoers in 1951. An unrelenting portrait of media sensationalism and the human obsession with tragedy that propels it, the film is based on a true story that also spawned Robert Penn Warren’s novel The Cave. Director, screenwriter, and producer Billy Wilder suffered perhaps the biggest commercial and critical failure of his career with Ace, losing much of his standing at Paramount, even though the movie was released between two of his most enduring and popular triumphs, Sunset Boulevard (1950) and Stalag 17 (1953). Ace was perhaps not up to the standard of those works, but it clearly stands as one of Wilder’s many achievements. It’s hardly surprising that this film failed to find a mainstream audience, despite the added attraction of emerging star Kirk Douglas in the lead. American culture wouldn’t be ready for such a large dose of pessimism until the 1970s; even then, a film such as 1976’s Network, which clearly paralleled the tone of Wilder’s effort, was dismissed by many viewers as too hysterical. – Brendon HanleyRead More »

  • Lewis Seiler – Women’s Prison (1955)

    1951-1960ClassicsExploitationLewis SeilerUSA

    Synopsis:
    A ruthless superintendent of a prison, Amelia van Zandt, makes life hell for the female inmates. Her rules are rigid and she makes no exceptions.

    The newcomer Helene Jensen is not a hardened criminal by any means, but a woman convicted of vehicular homicide after she accidentally killed a child. Out of place here, Helene is so distraught that Van Zandt has her placed in solitary confinement, making it even worse. Helene nearly dies.

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