Classics

Synopsis:
In 1858 France, Bernadette, an adolescent peasant girl, has a vision of “a beautiful lady” in the city dump. She never claims it to be anything other than this, but the townspeople all assume it to be the virgin Mary. The pompous government officials think she is nuts, and do their best to suppress the girl and her followers, and the church wants nothing to do with the whole matter. But as Bernadette attracts wider and wider attention, the phenomenon overtakes everyone in the the town, and transforms their lives.Read More »

Quote:
Directed by Ko Nakahira. With Mariko Kaga, Akira Nakao, Takeshi Kato. Yuka is a “good-time girl” from Yokohama who is persuaded by her papa to sleep with a foreign business executive so that he can close an important deal. Nakahira presents a shrewdly observed portrait of a modern, sexually assertive woman—an unsettling character for a changing but still patriarchal society. 93 min. – MoMA note: this film played under the title of Monday Girl for the MoMA’s Japanese film retrospective in 2005Read More »

Norman is a window cleaner who has to clean a manor house with hundreds of windows. He is distracted by the son of the house who persuades him to go into town. When some villains try and kidnap the young heir Norman fights them off but the heir has banged his head and can’t remember Norman’s heroic stand.Read More »

Set during the 1920s, two English cousins, Samuel (Wisdom) and Eustace (Briers), are returning home from New York aboard a transatlantic liner. Whilst a seasick Eustace is laid-up ill in bed, Samuel falls in love with his cousin’s ex-fiancée Billie (Martin), and attempts to woo her into accepting his marriage proposal. Complications on the journey ensue further when Eustace becomes the target of Jane’s (Hancock) affections; a plain woman who is also coincidently Billie’s cabin mate. When Samuel lands back in Southampton, he mimics his Aunt Hignett’s (Athene Seyler) voice on the phone and manages to deceive Billie, her latest fiancé Bream (Philip Locke) and his father J.P Mortimer, into believing they can rent his aunt’s empty cottage for the summer. Read More »

Jean Renneval, a mature and attractive stage actor, seduces Thérèse Verdier, a beautiful woman whom he notices attending the play one evening. Henri Verdier, her husband, is about to leave in a business appointment, but he makes arrangements with Henriette – Thérèse’s friend – to stay at his place, and sleep there after dinner. He has learned from his first two earlier wives: Lucie cuckoo-ed him with Hector van Broken, his look-a-like; and Juliette with the sultan Hammanlif. His friend Marinier goes with him in the car to the railway station, and during their conversation, Verdier decides to return home – only to find he has been betrayed a third time. Renneval leaves the bedroom already dressed and composed with his costume of cardinal, and with his rhetoric convinces Verdier to accept his fate.Read More »

Synopsis:
Norman is the oldest orphan at Greenwood Children’s Home and now acts as their caretaker. All the orphans are very happy and well cared for. The adventures start when a nasty property developer (boo hiss) who is also the chairman of the orphanage board wants to close the orphanage and build a factory on the site. The children are sent to Brighton for the day and Norman is very excited because he’s “Never seen the Sea”. When they get back they discover the plan to close the orphanage and have to decide what to do.Read More »

If ever there was a role that Anthony Quinn was born to play, it was the lusty, life-affirming title character in Zorba the Greek. The scene is the isle of Crete, where English writer Alan Bates arrives in the hopes of realigning his own values and outlook on life. He is “adopted” by the flamboyant Zorba, who determines to educate Bates in the ways of the world-or, to be more precise, Zorba’s world. Along the way, Bates is introduced to widow Irene Papas, the unrequited love object of everyone on the island, who comes to a tragic end when she is accused of adultery.Read More »

Paris, 1482. Today is the festival of the fools, taking place like each year in the square outside Cathedral Notre Dame. Among jugglers and other entertainers, Esmeralda, a sensuous gypsy, performs a bewitching dance in front of delighted spectators. From up in a tower of the cathedral, Frollo, an alchemist, gazes at her lustfully. Later in the night, Frollo orders Quasimodo, the deformed bell ringer and his faithful servant, to kidnap Esmeralda. But when the ugly freak comes close to her is touched by the young woman’s beauty…Read More »

Quote:
Female infidelity leads a man, Jean, to commit suicide. When he is dead his brother, Jerôme, starts having an affair with the same woman, Mary. But… there is a photography left of her first brother, who the second is getting closer to finding – hence the title (6,5 X 11 – an film negative format).

Wonderfully photographed with moving camera, superimposed pictures and a contrast that leaves nothing to be desired. Interesting use of the close-up to emphasize the story as well. And notice the use of the mirror to show how the story is about to repeat itself. The mice-en-scene could, throughout the film, be though to have come directly from a display of state-of-the-art modernist interior design architecture – stunningly beautiful. The men in this film all wear lipstick, silk garments and nail-polish in their very chic upper-class fashion. Oscar Wilde would not be let down. Do not miss this film, should you ever get the chance to see it.Read More »