Classics

  • Otto Preminger – Angel Face (1952)

    USA1951-1960ClassicsFilm NoirOtto Preminger

    Robert Mitchum and Jean Simmons star in this classic tale of love, money, and murder directed by Otto Preminger. This film noir centers on Diane, a femme fatale whose sweet features belie the murderess within. Diane is looking for someone to take the heat when her stepmother dies in a mysterious accident and leaves her stepdaughter a hefty inheritance. That someone is Frank – a man whose average life is thrown into chaos when he meets Diane.Read More »

  • Otto Preminger – Laura [+Extras] (1944)

    USA1941-1950ClassicsFilm NoirOtto Preminger

    by Hal Erickson
    This adaptation of Vera Caspary’s suspense novel was begun by director Rouben Mamoulien and cinematographer Lucien Ballard, but thanks to a complex series of backstage intrigues and hostilities, the film was ultimately credited to director Otto Preminger and cameraman Joseph LaShelle (who won an Oscar for his efforts). At the outset of the film, it is established that the title character, Laura Hunt (Gene Tierney), has been murdered. Tough New York detective Mark McPherson (Dana Andrews) investigates the killing, methodically questioning the chief suspects: Waspish columnist Waldo Lydecker (Clifton Webb), wastrel socialite Shelby Carpenter (Vincent Price), and Carpenter’s wealthy “patroness” Ann Treadwell (Judith Anderson). Read More »

  • Elia Kazan – The Sea of Grass (1947)

    1941-1950ClassicsElia KazanUSAWestern

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    This western begins with St. Louis resident Lutie Cameron (Katharine Hepburn) marrying New Mexico cattleman Col. James B. ‘Jim’ Brewton (Spencer Tracy) after a short courtship. When she arrives in “Salt Fork, NM” she finds that her new husband is considered by the locals to be a tyrant who uses force to keep homesteaders off the government owned land he uses for grazing his cattle–the so-called Sea of Grass. Lutie, has difficulty reconciling her husband’s beliefs and passions with her own. Written by kzmckeownRead More »

  • Helmut Weiss – Die Feuerzangenbowle (1944)

    1941-1950ClassicsCultGermanyHelmut WeissThird Reich Cinema

    http://upload.wikimedia.org/wikipedia/en/c/c0/Feuerzangenbowle-movie.jpg

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    Die Feuerzangenbowle (The Fire-Tongs Bowl or The Punch Bowl) is a 1944 movie, directed by Helmut Weiss and is based on the book of the same name. It follows the book closely as author Spoerl also wrote the script for the movie. Both tell the story of a famous writer going undercover as a pupil at a small town secondary school after his friends tell him that he missed out on the best part of growing up by being educated at home. The story in the book takes place during the Weimar Republic in Germany. The movie was produced and released in Germany during the last years of World War II and has been called a “masterpiece of timeless, cheerful escapism.”[1] The movie stars Heinz Rühmann in the role of the student Hans Pfeiffer, which is remarkable as Rühmann was already 42 years old at that time.

    From wikipediaRead More »

  • Alfred Hitchcock – Suspicion: Four o Clock (1957)

    USA1951-1960Alfred HitchcockClassicsTV

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    NBC’s “Suspicion” was a 40 episode series (which ran from 1957 to 1958) in a similar mold to “Alfred Hitchcock Presents”. Alfred Hitchcock directed the series permiere episode, “Four O’Clock”. It was originally broadcast on 30/Sep/1957.

    Synopsis :
    Paul Steppe, a successful watchmaker, begins to suspect that his wife Fran is seeing another man. Consumed with jealousy, Steppe decides to murder her. His plan, he feels is ingenious. Painstakingly Steppe applies all of his watchmaking skills to the construction of a time bomb. He plans to slip into his house in the afternoon without his wife’s knowledge, leave the bomb and then return to his jewelry store unnoticed and unsuspected.Read More »

  • Alfred Hitchcock – Juno and the Paycock (1930)

    United Kingdom1921-1930Alfred HitchcockClassicsThriller
    Juno and the Paycock (1929)
    Juno and the Paycock (1929)

    From Channel 4 Film:
    Early British Hitchcock which has the future master of suspense trying to make a living with this faithful adaptation of O’Casey’s classic play, chronicling the ups and downs of an Irish family in the Dublin of the 1920s. Most of it is a straight filming of the play – and was acknowledged as such by Hitchcock – even though handsomely photographed and acted. When the action opens up towards the end, Hitch gets a chance to flex his cinematic muscle with a predictably dramatic ending.Read More »

  • Nikola Tanhofer – H-8 (1958)

    1951-1960ClassicsDramaNikola TanhoferYugoslaviaYugoslavian Cinema under Tito

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    Quote:
    A bus and a truck are moving towards each other along a two-way traffic highway on a rainy day. At the very beginning we learn that a reckless driver of another car will cause them to collide while trying to pass the bus; we even learn what seats will spell doom for their occupants. The rest of the movie follows two streams of events on the bus and on the truck, getting us to know and like a wide variety of characters, wondering which ones will end up being casualties and holding breath for our favourites. The epilogue brings some more surprises…Read More »

  • Lamberto V. Avellana – Badjao AKA Badjao, the Sea Gypsies (1957)

    1951-1960ClassicsDramaLamberto V. AvellanaPhilippines

    Plot:
    An classic film by film studio LVN, largely because of shining performances by Rosa Rosal and Tony Santos. It won the award for best direction (Lamberto V. Avellana, National Artist for Theater and Film in 1976), best story (Rolf Bayer), best editing (Gregorio Carballo), and best cinematography (Mike Accion) at the 1957 Southeast Asia Film Festival held in Tokyo.
    A story about the Badjaos and the Tausogs, rival tribes for centuries. The Badjaos, a group of sea gypsies, ply the sea for food and for pearls.Read More »

  • Cecil B. DeMille – The Cheat (1915)

    1911-1920Cecil B. DeMilleClassicsSilentUSA

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    Description: One of the early De Mille’s melodramas: love triangle, fruvolous wife, demonic Japanese tempter… But besides all that melodramatic rubbish it’s one of the most innovative films of the era. De Mille actively experimented with lighting, cutting, and framing to extend narrative technique. “The Cheat” featured probably the first use of so called “psychological editing: cutting not between two simultaneous events but to show the drift of a character’s thoughts. A must see.Read More »

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