Black God, White Devil (Portuguese: Deus e o Diabo na Terra do Sol, literally, “God and the Devil in the Land of Sun”) is a 1964 Brazilian film directed and written by Glauber Rocha. The film stars Othon Bastos, Maurício do Valle, Yoná Magalhães, and Geraldo Del Rey. It belongs to the Cinema Novo movement, addressing the socio-political problems of 1960s Brazil.
Glauber Rocha was 25 years old when he wrote and began to direct the film.Read More »
“In Recife, Dr. Paulo is an important lawyer that has a daughter, Heloísa, with his paramour and living in the country. A few days before traveling to Europe, Dr. Paulo asks to a close friend to bring Heloísa to Recife. Meanwhile, his bohemian and irresponsible son Helvécio meets Heloísa, and without knowing that she is his sister, he tries to rape her, and she kills him. Heloísa is arrested and goes to trial without any evidence to prove that she self-defended her honor” Written by Claudio Carvalho, Rio de Janeiro, Brazil ( IMDB)
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Doralice is a simple minded woman romantically fascinated by marriage. However, after being raped by a butcher and loses her virginity, a friend advises her to become a prostitute – and she does it. After that, all her wishes and longings will curl up into a fascinating vortex.Read More »
Synopsis:
January 19th, 1982. Lilian experiences her first disillusion. She is fifteen years old and understands what pain is. January, 19th, 1982. Elis Regina dies at the age of 36. And the whole city understands what loss is.Read More »
Living on the same floor of a building in the city of São Paulo, Micaela (Renata Gaspar), Diego (Thiago Pethit) e Júlia (Maria Laura Nogueira) share their experiences, failures and achievements.
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Julia, played by Maria Laura Nogueira, is navigating life after she discovers that her boyfriend was engaged to another woman, making Julia the other woman. As if she couldn’t be more devastated, she finds out that she is pregnant with her ex-boyfriend’s baby. Not to mention that her parents are insisting for her to find a career that will lead to a successful life with a marriage and children since Julia is currently an assistant to a fashion designer.Read More »
Clara, a lonely nurse from the outskirts of São Paulo, is hired by mysterious and wealthy Ana as the nanny for her unborn child. The two women develop a strong bond, but a fateful night changes their plans.
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qUOTE:
Story with some autobiographical touches taken from director’s life. Miramar is a teenager raised by his parents to be an artist. But a tragedy occurs in his life: both his parents commit suicide. He then discovers the movies, and dreams of being a director.Read More »
Bressane’s first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: “In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world”. “If we talk about horror, this film deals with national horror, with Mojica Marins as an emblem. There might be a few touches of Corman and English horror, but it is another level of horror. What transformed the film was the location where we were shooting, the house of a 19th century painter, a receptacle of light. When I arrived and saw that house, that light, I said: ‘This is the film. This is the horror’. The meaning of the film, its appeal, derives from this laboratory of light” (J. Bressane). — Torino Film FestivalRead More »
English: As a young archivist labours on the reassembly of a long-lost film print, her emotional life spirals into a tumultuous state that is mirrored in the degradation of the frames she so painstakingly works upon.
Portuguese: Valentina precisa tomar uma importante decisão em sua vida enquanto trabalha com preservação de filmes na cinemateca do Museu de Arte Moderna do Rio de Janeiro. Read More »