Asian

Aspiring to be admitted to a good university and to become a lawyer, Tasiro Yuusuke, a tenth-grader from Kyushu, enrols in a prestigious high school in Tokyo. Plans are made for him to live in his uncle’s house, part of which is rented out while his uncle is abroad on business. A realtor’s mistakes leaves Tasiro sharing the house with Kei Yamaba, the most beautiful girl in the school, who is also his classmate. There is the risk that their unexpected ‘co-habitation’ will be discovered by the school authorities. While he grows increasingly attracted to her, he is often irritated by her innocent and nonchalant attitude towards their predicament. They each develop other romantic attachments, but end up turning to each other.Read More »

From the Buddhist Film Foundation’s website:
Pema Tseden (The Search, Old Dog) is the first Tibetan graduate of the Beijing Film Academy, and this is his dramatic feature debut. Made on location in a village in the Amdo region, the film follows a young lama assigned for Tibetan New Year to attend to the seven-year-old Living Buddha (tulku) of a mountain monastery. The young lamas try to balance their strict training with explorations of the outside world through the novelty of television, and make some surprising choices. Like all great neo-realist films, The Silent Holy Stones has the immediacy of a documentary, and Tseden delivers a compelling and intimate insider’s view of everyday life in his home town.Read More »

Eun Sik is 28 years old and has recently started school at the university. He is a member of the Cha Ryu group and practices with them daily, through painful endurance training. He meets the much younger and gorgeous Eun Hyo, for whom he holds a completely one-sided attraction. Eun Sik’s amazingly unlucky, and a host of embarrassing situations happen to him. Through all of this, him and his insanely horny group of friends help make one of the most memorable sex comedies, complete with both hilarious and somewhat dramatic moments.Read More »

IMDB:
A classic melodramatic love tragedy addressing social inequality in feudal Japan, depicted in Kenji Mizoguchi’s typical style. The nostalgic scenes of 1920s Tokyo provides a valuable visual experience set against the background of the title song, “Tokyo March.”Read More »

Quote:
Watashi-wa beretto is a promotional film for the automobile manufacturer Isuzu Jidosha directed by Nagisa Ôshima. Yasujirô Ozu assisted as executive creative consultant.Read More »

Nagisa Oshima’s groundbreaking film opens with young, attractive Mako and her friend hitching a ride from an old man. After her friend leaves, the man tries to rape her, and she is saved only by the handsome Kiyoshi. Later, against the background of the tumultuous 1960 U.S./Japan Security Treaty demonstrations, Kiyoshi and Mako walk along a grungy seaside lumberyard while talking about sex. He attempts to kiss her, she slaps him, and he throws her in the water. She cries out that she can’t swim. When she continues to refuse his advances, he steps on her fingers as she clings to a log. Read More »

Quote:
On a ship en route to the Sado Islands, Tora-san enjoys the company of a beautiful woman (Miyako Harumi), unaware that she’s a famous enka singer traveling incognito. In this variation on Roman Holiday (1953), the enka star enjoys Tora-san’s company when her boyfriend left her. Eventually, she returns to her glamorous life, but not before surprising everyone in Shibamata by showing up to give Tora-san a ticket to her latest concert. Tora-san thought that this could be a good start, but she finally tells him that… her boyfriend is back.Read More »

Synopsis
Departures follows Daigo Kobayashi (Masahiro Motoki), a devoted cellist in an orchestra that has just been dissolved and who is suddenly left without a job. Daigo decides to move back to his old hometown with his wife to look for work and start over. He answers a classified ad entitled “Departures,” thinking it is an advertisement for a travel agency only to discover that the job is actually for a “Nokanshi” or “encoffineer,” a funeral professional who prepares deceased bodies for burial and entry into the next life. While his wife and others despise the job, Daigo takes a certain pride in his work and begins to perfect the art of “Nokanshi,” acting as a gentle gatekeeper between life and death, between the departed and the family of the departed. The film follows his profound and sometimes comical journey with death as he uncovers the wonder, joy and meaning of life and living.Read More »

Tian Zhuangzhuang is perhaps the best known of [the Fifth Generation] for reviving and revitalizing a staple of the Chinese film industry — the “national minority” genre. Made to celebrate the solidarity of the Chinese people under the Communist regime, these films, often made by studios based in the minority areas themselves, showcased the songs, dances, customs, and patriotism of the non-Han community. Stories of liberation, they usually contrast the “backwardness” of traditional life before the Revolution with the benefits of Chinese Communist rule.Read More »