Arthouse

Based on Pier Paolo Pasolini’s second novel, A Violent Life (Una Vita Violenta) tells the story of a group of kids who live in one of the poorest and most disreputable neighborhoods in Rome. The story is set at the end of WWII. Thomas lives at the expense of others, like all his other companions, stealing and wasting time. But one day after a theft, Thomas gets arrested. When he comes out of prison he contracts tuberculosis, going through an inner struggle which changes his worldview. He begins to think about his future as a human being and vows to change his life. Hoping to become honest, Thomas gets engaged to the beautiful Irene and also decides to participate in political activity, joining the Communist Party. Then there is a sudden accident, and Thomas once again is faced with the most important challenge of his life.Read More »

“What is Pearls Before Swine? Is it a controversial and iconoclastic look at the rise of a new form of fascism? The new film from Aussie director Richard Wolstencroft of Bloodlust fame? A rip-snorting ode to violence and sex in the tradition of A Clockwork Orange? The first feature film starring musician and philosopher Boyd Rice from NON? A radical change for the better in the recent lacklustre Australian film industry? A kick ass philosophical thriller about an assassin who is hired to kill an author of subversive literature? The answer is all of the above. And more.”Read More »

Quote:
‘We can’t easily tell night from day during the summers here,” observes one character early on in Hong Sang-soo’s Paris-set Night and Day—a nearly throwaway line that circumscribes the sense of physical and spiritual dislocation felt by the film’s protagonist. Like most of the director’s leading men, Kim Sung-nam (Kim Yeong-ho) is a hangdog, self-absorbed, soju-guzzling Hong alter ego—a fortyish Korean artist who flees to the City of Lights after an episode of recreational drug use leads him to believe he is under police investigation. There, he rents a room in a crowded boarding house and resolves to lay low until he can safely return home to his wife, Sung-in (Hwang Su-jeong), or else find a way to bring her to France. But resolutions aside, it isn’t long before Sung-nam finds himself navigating Hong’s trademark gauntlet of awkward seductions, casual betrayals, and ghosts of girlfriends past.Read More »

“Alain Tanner’s sparse, beautiful film is a philosophical reflection on and a poetic, atmospheric representation of human homelessness.”

Synopsis:
“No man’s land” tells the story of four people trying to fulfil their most basic desires in life. A group of young people meet up regularly in a nightclub situated in a former customs house on the Swiss-French border, as a means of escape from their drab lives. No Man’s Land is an “in- between” film. Between staying and leaving, between Paul and Jean, about friendship, between Paul and Madeleine, Jean and Mali, Jean and Lucie, about love. Between Paul and his route of escape, Jean and his territory, Madeleine and her music, Mali and her exile.Read More »

Quote:
A young woman named Magdalena (Isabelle Huppert) retrieves a postcard that had been cast into the wind by her biological mother (Bulle Ogier) from a seaside town in Portugal and discovers that she has a twin sister named Maria. From this seemingly introspective opening premise on identity, connection, and history, Deux diverges into unexpectedly abstract, non-intersecting trajectories that involve a schoolgirl attraction with a fellow classmate, a mother’s wartime romance, a serial killer who leaves a tell-tale rose on the bodies of his victims, a lonely woman who adopts a fox as a household pet. Composed of asequential and dissociated vignettes, the film evokes the baroque tableaux of Sergei Paradjanov, the formalism of Rainer Werner Fassbinder, and fractured surrealism of Luis Buñuel infused with quasi-religious iconography and Actionism of Otto Mühl (most notably, in the image of disemboweled figures such as ornamental cherubs).Read More »

The west Coast of Iceland, late summer 1936. On a desolate farm, believed to be cursed since the 14th century, a tragic fate is about to befall the French exploration ship Pourquoi-pas. When the ship is wrecked just offshore it seems the crew is witnessing the old curse in full force. Hrefna, a young girl on the farm, projects herself and her family, with all the power of a child’s imagination, back to the 14th century in order to change the course of destiny.Read More »

IMDB:
Augusto Matraga is a violent agressive farmer who after being betrayed by his wife and trapped by several enemies is bitten up and left for dead. He is rescued by a couple of humble small farmers who nurse him for a long time until he is well again. Influenced by the couple Augusto Matraga turns to a religiosity a long time neglected, believing he is atoning for past sins. Then he starts a long penitent life while waiting for his hour and chance. As time goes on he comes strong again but he only realize this after meeting Joaozinho Bem Bem, a famous chief of “jaguncos” who sees in him the violent man he was. Augusto Matraga starts a fight between his violent nature, his hidden desire of vengeance and the mysticism and goodness which is also part of him. This conflict lasts until the moment when his hour and his chance comes, the hour and chance to fight, to struggle an to use his strength and courage in the name of faith and humanity.Read More »

Merlin, Arrieta’s one feature shot on 35mm, is an adaptation of Cocteau’s play “Knights of the Round Table.”Read More »

Quote:
Flushed with the success of his Elvira Madigan, Swedish director Bo Widerberg concocted another story of teenaged love juxtaposed with social upheaval in Adalen 31. The title refers to the 1931 worker’s strike against the Adalen paper mill in Northern Sweden. As the strikers debate whether or not to use violence in pressing their complaint, the daughter of the factory owner (Marie De Geer) is impregnated by the son of a worker (Peter Schildt). The strike is “resolved” in a bloody confrontation between the laborers and government troops, resulting in the death of the boy–and, on a greater scale, the collapse of Sweden’s Conservative Government. The girl ultimately opts for an abortion, which partially explains why Adalen 31 was originally given an “X” rating by the then-conservative Motion Picture Association of America.Read More »