Arthouse

A wickedly funny account of the search for a long-lost girlfriend, which broadens into a witty meditation on memory itself.Read More »

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The first film in Rudolf Thome’s “Forms of Love” trilogy is the most incisive. It’s a comedy-drame chronicling the ups and downs in the relationship of an unmarried couple (Adriana Altaras, Vladimir Weigl). When she tries to persuade him that they should have a child, he escapes the controversy by becoming preoccupied with his new aquarium and microscope. Their struggles to settle their differences and accept new responsibilities are presented intelligently, realistically and with low-key wit and irony.Read More »

Laarmans (Romain De Coninck) is an old man, and finds his family life claustrophobic. Most evenings, he escapes the confines of the house and wanders around Antwerp’s red-light district. Three Afghani men who have become sailors approach him one evening, asking him to help them find a certain girl. But it seems they were given a false address. In the middle of the night all of them are searching and hoping. As he wanders around the city with the three sailors, he fantasizes about what this girl must be like…Read More »

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After a bull is killed in a bullfight, its body parts are transported across Spain, France, Italy and Belgium. The bull’s parts fall into the wide variety of people, including: an Italian actress selling the bones in a supermarket promotion, a Spanish woman who dines on its steaks, a little girl in France who imagines a world where animals are much larger than humans, and a taxidermist whose wife is simultaneously giving birth to quintuplets.Read More »

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A remarkable expression of the post-documentary moment that seems to be defining a new major stage in contemporary world cinema…The film skillfully defies any neo-realist appearances by using its extreme restraint of story, sound, and dialogue not to create a contemplative minimalism but rather to sustain a steadily increasing yet ambiguous tension. The Anchorage unfolds a series of pointed yet irresolvable appeals to specific genre expectations—of the horror film, the melodrama, the Bergmanian art film—investing objects and the film’s few characters with a mysterious aura.Read More »

When two women – both named Maria – accidentally invent the striptease circa 1910 they become such a hit that enthusiastic audiences strip along with them! But when one of the Marias falls for a handsome revolutionary she finds that she has unwittingly embroiled the two of them in an armed peasant revolt!Read More »

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In this evocative work, we hear and see the interactions of a man and a woman in a pristine forest. We gain a sense of intimacy with them and nature. Suddenly we leave the worries of our scattered lives and begin to remember the primal elements of existence: earth, wind, fire, water, people, and creation. This epiphanic process demands patience and an almost meditative state, but it is so worth the effort – just as a journey a mountain meadow requires some effort in order to find its treasures.Read More »

A group of young people in Québec resolve to form a revolutionary cell together in the aftermath of student protests.Read More »

In 1939, the author Annemarie Schwarzenbach and the ethnologist Ella Maillart travel together by car to Kabul, but each is in pursuit of her own project. Annemarie Schwarzenbach, who was among Erika and Klaus Mann’s circle of friends in the 30s, is searching for a place of refuge in the Near East to discover her own self. Ella Maillart justifies her restlessness, her need for movement and travel, with a scientific pretext: she would like to explore the mysterious Kafiristan Valley and make a name for herself with publications on the archaic life of the nomads living there. Both women are on the run, but political developments and their own biographies catch up with them again and again. Their mutual journey through the outside world, which runs from Geneva via the Balkans and Turkey to Persia, is compounded by the inner world of emotions with a tender love story.Read More »