Quote:
With every film he makes, Dumont seems to delve deeper into a humanity that, in its connection to nature in all its mystery and force, is a deeply conflicted one. In “Hors Satan”, the division of what is good and evil and how it relates to the man we encounter at the start of the film, is somewhat less clear-cut.
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Arthouse
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Bruno Dumont – Hors Satan (2011)
2011-2020ArthouseBruno DumontDramaFrance -
Clément Cogitore – Braguino (2017)
2011-2020ArthouseClément CogitoreDocumentaryFrancePlot : In the Siberian forest, away from any civilization, a feud is opposing two families whose houses are separated by a river. In the middle of the river stands an island where the kids of the two families are meeting on their own.Read More »
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Aleksandr Sokurov – Sonata dlya Gitlera AKA Sonata for Hitler (1979 – 1989)
1981-1990Aleksandr SokurovArthouseShort FilmUSSRQuote:
Set to the music of Bach and Penderecki, Sonata for Hitler weaves together a bank of images from German and Soviet archive footage, drawing out a psychological dimension from the historical landscape at the end of World War II.Read More » -
Woody Allen – Mighty Aphrodite (1995)
USA1991-2000ArthouseComedyWoody Allen
Quote:
Lenny and Amanda have an adopted son Max who turns out to be brilliant. Lenny becomes obsessed with finding Max’s real parents because he believes that they too must be brilliant. When he finds that Linda Ash is Max’ real mother, Lenny is disappointed. Linda is a prostitute and porn star. On top of that, she is quite possibly the dumbest person Lenny has ever met. Interwoven is a Greek chorus linking the story with the story of Oedipus.Read More » -
Artavazd Pelechian – Vremena goda aka Seasons of the Year (1975)
1971-1980ArmeniaArtavazd PeleshianArthousePolitics
The history of the Armenian nation from a Marxist point of view.
Illustrated by Vivaldi’s “The Four Seasons”.***
Artavazd Pelechian’s Seasons of the Year (1975), a film-essay about the contradiction
and the harmony between man and nature, was the the 2nd and the last collaboration
with Vartanov, who had directed Autumn Pastoral (1971) from Peleshian’s screenplay.
In the Seasons of the Year (1975), for the first time, Artavazd Pelechian did not use any
archival footage likely due to the exquisite cinematography by Vartanov. Peleshian’s
Seasons of the Year (1975) is one of the 3 most important documentary films made in
Armenia, along with Sergei Parajanov’s Hakop Hovnatanian (1967) and Vartanov’s
Paradjanov: The Last Spring (1992).Read More » -
Simon Aboud – Come Here Today (2008)
2001-2010ArthouseShort FilmSimon AboudUnited KingdomAlex takes on a poignant journey that examines his relationships with lover, brother and mother on his way to an emotional reconciliation with his father. Alex’s take on life is surprisingly crystal clear for a man who has lived life to the full. It is only in the moment of death that one can truly grasp the meaning of life. ~imdbRead More »
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Pierre Prévert – Le petit Claus et le grand Claus AKA Little Claus and Big Claus (1964)
Arthouse1961-1970FantasyFrancePierre PrévertSynopsis
Once upon a time there lived in the same village two men bearing the very same name. One of them chanced to possess four horses, the other had only one horse, so, by way of distinguishing them from each other, the proprietor of four horses was called “Great Claus,” and he who owned but one horse was known as “Little Claus”…Read More » -
Raoul Ruiz – Bérénice (1983)
1981-1990ArthouseDramaFranceRaoul RuizSynopsis:
‘A lush, baroque adaptation of Jean Racine’s 1670 tragedy about a Roman emperor who bends to popular will and declines to marry the Palestinian queen he loves.’
– IMDbRead More » -
Govindan Aravindan – Oridathu AKA And Then There Was a Village (1986)
1981-1990ArthouseGovindan AravindanIndiaSynopsis:
Set in a remote part of Travancore-Cochin, Oridathu tells the story of a village where electricity arrives for the first time. The villagers find this modern innovation as a threat to their natural way of life, accustomed to more earthy resources of energy. The film depicts the narrow mindedness and hypocrisies of village lives with humour. The film reaches a conclusion that life is better without electricity and also condemns cinema as a legitimate means of expression.Read More »







