
Interview in Copenhagen with Dreyer (speaking French). Also features Anna Karina, Preben Lerdorff Rye, Henrik Malberg, Lisbeth Movin, Jørgen Roos, and Bendt Rothe. First aired 8 April 1965 on ORTF (2?).Read More »

Interview in Copenhagen with Dreyer (speaking French). Also features Anna Karina, Preben Lerdorff Rye, Henrik Malberg, Lisbeth Movin, Jørgen Roos, and Bendt Rothe. First aired 8 April 1965 on ORTF (2?).Read More »
A dirty deal between cowboys. The fight between the Texan Benz, head of a gang of assassins, and Captain Mort, his right-hand man.
La Zone – the poor, dangerous quarters of Paris (George Lacombe, 1928); the administrative zone where Orpheus looks for his lost Eurydice (Jean Cocteau, 1950); Interzone – the working title for Naked Lunch (W.S. Burroughs, 1959). In 1983, Ossang created a synthesis of all these territories of unrest under a banner of dead colours.Read More »
Synopsis
The story about gladiators against a German background. One of them, Ettore, has become a star of the underworld. He ends up breaking down, caught in a role he can no longer fulfill. His last betrayal is to spill the beans to the press.Read More »
200 minutes of cinema-verite on the life of documentarist Ed Pincus and his immediate family from 1971 to 1976.
Director of Black Natchez, Ed Pincus now lives with his wife Jane in Vermont and owns a flower farm. He recently returned to filmmaking for a documentary about Katrina, and thinks about new projects.Read More »
The sublime and the mundane run hand-in-hand in Birdsong, Albert Serra’s stunningly photographed, intensely contemplative re-telling of the biblical journey of the Magi. Much of the sublimity derives from the film’s visuals, superbly tactile black-and-white images alive to the textures of the rocky landscape, which, along with the precise gradations of lighting (each scene seems shot at the one exact moment of day when its creation was possible) and the rustling of wind on the soundtrack, imbues the barren land with a richness of meaning commensurate with the Magi’s divine mission.Read More »
Radically rethinking the tired talking-heads template, Tsai Ming-liang’s latest digital experiment turns the human face into a subject of dramatic intrigue. Comprised of a series of portrait shots of mostly anonymous individuals (Tsai devotees will no doubt recognize his long-time muse, Lee Kang-sheng), the film shrewdly deemphasizes language while reducing context to a bare minimum. In their place, the beauty and imperfections of each face take center stage. Accompanied by Ryuichi Sakamoto’s soundtrack of dynamically modulating drone frequencies, Tsai’s subjects variously speak, stare, and, at one point, sleep as the camera quietly registers the weight of personal history and accumulated experience writ beautifully across every last pore and crevasse.
—NYFFRead More »
Quote:
Fellini lore has it that the master made “Juliet of the Spirits” as a gift for his wife. Like many husbands, he gave her the gift he really wanted for himself. The movie, starring a sad-eyed Giulietta Masina who fears her husband is cheating, suggests she’d be happier if she were more like her neighbor, a buxom temptress who entertains men in a tree house.Read More »
Both the shortest Lav Diaz film, and the longest Viennale trailer:
Quote:
VIENNALE TRAILER 2018
THE BOY WHO CHOSE THE EARTH by Lav Diaz
The Viennale is pleased to announce that this year’s trailer was created by the multiple award-winning Filipino director Lav Diaz. Many of his films, outstanding also due to their length, have been shown at previous Viennale festivals. In 2014 he won the Golden Leopard at the Locarno International Film Festival and two years ago the Golden Lion at the Venice Film Festival for THE WOMAN WHO LEFT.Read More »
Antoine’s future is all mapped out. A student at France’s top business college, some day he’ll slip into his father’s shoes at the head of a booming company.
Antoine is brilliant, but he’s bored. As a game or a challenge, to prove to himself he’s not on a one-way street, he agrees to play the lead in a film in preparation. It’s a scandal. The more Antoine delves into the unknown, the more he finds himself alone, misunderstood, torn between the wounded love of his parents and his lady director’s voracious passionRead More »