Tonio, a young Brazilian man passing through Corsica, is browsing dating apps when he meets The Oracle, who introduces him to the history of gay life on the island. An encounter between generations reveals a whole new universe for Tonio, in which an equally collective and extremely personal mythology seems to entrance Tonio’s trajectory towards a possible collective experience.Read More »
Documentary filmmaker Frederick Wiseman goes behind the scenes at the National Gallery in a journey to the heart of a museum inhabited by masterpieces of Western art from the Middle Ages to the 19th century.
This three-hour epic has no voiceover, no score and no added sound effects. The nearest thing to music is the drone of the polishing machines at dawn. In a richly detailed, beautifully nuanced portrait of the gallery’s working life, we are guided gently from board meeting to retouching workshop, from gallery floor, to seminar room, from the difficult financial decisions facing the charity’s executives to visitors’ awed appreciation of the exhibitions.
Combining a vivid sense of how vast the gallery’s many activities are with an eye for droll observational detail, the film reveals how the gallery works and its relations with its staff, public and paintings.Read More »
The story revolves around Ogino, who is in the last year of his medical studies. Between lectures, exams, on field training, his commitment as a pro-reformist militant and his girlfriend, Ogino is starting to wonder if he’s really cut out to be a doctor.Read More »
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The first of the road films that would come to define the career of Wim Wenders, the magnificent Alice in the Cities is an emotionally generous and luminously shot odyssey. A German journalist (Rüdiger Vogler) is driving across the United States to research an article; it’s a disappointing trip, in which he is unable to truly connect with what he sees. Things change, however, when he has no choice but to take a young girl named Alice (Yella Rottländer) with him on his return trip to Germany, after her mother (Lisa Kreuzer)—whom he has just met—leaves the child in his care. Though they initially find themselves at odds, the pair begin to form an unlikely friendship.Read More »
Katharina, a German journalist of Yugoslavian origin, comes to Podgorica to prepare a material for her TV-show. There she meets Peter, a young German, who came to Yugoslavia to make his own investigation about his father’s Nazi past.
Days to Remember (German: Die Verliebten) is a 1987 West German drama film directed by Jeanine Meerapfel. It was entered into the 37th Berlin International Film Festival.Read More »
Anna is the Jewish daughter of a Spanish mother and a Greek father. She has returned to her family’s house in Greece after many of her friends and family members have died over the years. Although she came back to the house in order to sell it, things begin to take a different direction: The house itself, the furniture and other equipment in it seem to become alive for Anna, recalling images of her past, her beloved parents and her friend Max, who once gave her shelter from the raging policemen when she took part as a photo journalist in a political demonstration in Berlin. Anna changes her mind: When some rich, ignorant American couple wondering about if they should buy the house asks for the swimming pool (while the Mediterranean is half a mile away), she simply doubles the charge, and finally puts the “For sale” plate into the garbage can. In the meantime, she has had a little love affair with a young man from the village, found a girlfriend from her childhood days, swum in the sea, and found a way to live in peace with her melancholic memories.Read More »
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The contents of a black briefcase lead us into a superficially well-ordered life in West Germany in 1970, in a city that can be seen as representative of the entire country. In this briefcase: the meticulous documentation of an affair between the small business owner Hans and his secretary Monika.Read More »
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Vain clothing buyer Hugo meets beautiful Myriam on the subway and pursues her, discovering to his delight that she’s a prostitute. The crafty Myriam, of course, has more in mind for their encounter than smug Hugo bargained for. Love Rites turns the sexual tables with perverse exactitude.Read More »
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This is a TV adaptation of a 1993 opera entitled “Rosa,” with a libretto by Greenaway and score by Louis Andriessen. “Rosa” is the first in a projected series of 10 operas, each dealing with the death of a famous composer – some real (Anton Webern, Jean-Baptiste Lully, John Lennon), others fictional. “Rosa” falls into the latter category; it tells the story of Juan Manuel de Rosa, a Brazilian who went to study music in America but spent most of his time in the cinema instead, becoming particularly entranced by Westerns. Now 32 years old and residing in an abandoned Uraguayan slaughterhouse, Rosa has become one of Hollywood’s foremost composers, specializing in (what else?) Westerns. He also has a beautiful 19-year-old fiancee, Esmeralda, but he pays her little heed, instead lavishing his attentions on a black mare named Bola. One day, a group of men attired as cowboys arrive at the abattoir and kill both Rosa and Bola; an investigation is conducted, with particular suspicion!Read More »