Arthouse

Synopsis
Angela Schanelec’s first feature since 2010 is the much-anticipated Der traumhafte Weg, a serious work that is deliberately constructed image upon image and allows the viewer to read a seemingly realistic, yet artificially created world as it is being experienced, yet ultimately works against any simple narrative comprehension. The best way to tackle Der traumhafte Weg is to proceed, scene by scene, with a description of the shots, of how within the shots the characters are framed, how the characters gaze, how they hold their bodies… In other words, it is an Angela Schanelec film, where attention is required and rewarded, and the characters are at the mercy of the elements of chance.Read More »

Lawrence Garcia, Cinemascope wrote:
In the seven years since P’tit Quinquin, it has become impossible to continue tagging Bruno Dumont with the longstanding clichés of Bresson criticism. Epithets like “ascetic,” “severe,” “punishing”—already limited descriptors of his first two works, La vie de Jésus (1997) and L’humanité (1999)—have only become more obviously incapable of describing Dumont’s recent films, from the carnivalesque contortions of Ma Loute (2016) to the musical extremes of his Jeanne d’Arc movies. Still, as Dumont’s methods (particularly his increasingly frequent use of professionals alongside non-actors) have ostensibly moved away from those of Bresson, the deeper affinities between the two filmmakers have only become clearer. Read More »

In 2002, 12-year-old Maria, living in dire poverty with her family, is sold by her fisherman father to prostitute recruiter Seu Tadeu, who takes her to a low-class brothel in the Amazon region. While she suffers innumerable abuses, Maria only thinks of escaping the horrible conditions she’s faced with.Read More »

“München – Geheimnisse einer Stadt” ist ein Essay über das Leben in Städten, ein Mosaik aus Geschichten, Sehnsüchten und Träumen und eine Liebeserklärung an München – und alle anderen Städte.Read More »

Summary:
This film is a story of a close, but complex friendship between two women against the backdrop of the military dictatorship. They swear everlasting friendship and promise to become actresses. Twenty years later, Raquel has indeed become a famous Argentine actress. Maria is married to an electrician and has three children.
1976. The military take over the government. Carlos, Maria’s oldest son, is taken away by a special commando. Despairing, Maria turns to her influential girlfriend, Raquel. The two women begin their search for Carlos. The two go to police departments, barracks, official bureaus. But nobody will give them information. And those who ask questions are themselves suspicious. Raquel is also threatened.Read More »

A middle-aged man leaves his wife for another woman. Shortly after, his ex-wife also begins a relationship with a younger partner. The film follows their struggles to find love amongst each other.Read More »

In fourteenth-century England, peasant girl Christine Carpenter is so attracted to a statue of the Virgin Mary that the local priest (who lusts after her) suggests she be walled up in the church as an anchoress, a holy woman with responsibility for blessing the villagers. But when the priest has Christine’s mother tried as a witch, she digs herself out of her cell, a crime for which the punishment is death…Read More »

Quote:
The year is 1972. Master Italian filmmaker Luchino Visconti is struck down by a stroke, rendering him, one would think, unable to continue making films—and this just two years after hitting a late-career high point with Death in Venice. But like many artists kept alive by their muse, Visconti heroically persevered, managing to complete two more films before finally succumbing to a heart attack in 1976. Adaptability being a key ingredient to any sort of artistic longevity, Visconti took his ailments not as hindrance, but as a challenge toward the realization of a new project. Taken by a story written by past collaborator Enrico Medioli and intrigued by the cinematic restrictions afforded such an intimate character study, Visconti—now very limited in his physical movements and activity—saw both personal and logistical promise in this tale of aging, nostalgia, and generational divide, which was entitled Conversation Piece after an illustrated novel of family portraits of the same name by Mario Praz.Read More »

Federico Fellini accepts the request of a television crew to be interviewed about his career, narrating memories, dreams, realities and fantasies.Read More »