Arthouse

A child’s ruminations take form in fantasies of colour, during the last of the innocent summer holidays in the archipelago.Read More »

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A man is murdered on a bus for trying to stop a pickpocket; no one lifts a finger to help him. He returns as a ghost and questions the empathy of the onlookers.

There are three spaces in this film. One of them is reality–like the incident on the bus. Another is the space of history, stretching back centuries to the matriarchal society of Banpo Village, outside Xi’an. You see the Mother, playing the drum. And there’s also the space of the imaginary–what the characters are thinking. In fact, it’s the space of the human soul.Read More »

Scatterbrained Polly gets a job as a secretary in Gabrielle’s art gallery. Polly aspires to be a professional photographer, and idolizes Gabrielle for her artistic ability. When Gabrielle rekindles an old romantic relationship with the younger painter Mary, Polly becomes jealous, and discovers Gabrielle is not who she claims to be.Read More »

Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest (“selva”). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter’s brush.Read More »

In a repressive boarding school with rigid rules of behavior, four boys decide to rebel against the director on a celebration day.Read More »

Over 16 hours, in February, 1987, a man confronts jealously and rage as a love affair falters. Photojournalist Mel Hurley returns home to San Francisco on the eve of his birthday, expecting his lover, Carmen, to meet him at the airport and tell him if she will be exclusively his. She’s not there, she wants more time. Almost 20 years ago, he’d photographed civil war in Biafra, wanting to tell a story that would save people. He now equates that war with his personal struggle: can his photographs save this relationship? He goes to Carmen to talk to her; first he acts the fool, then they seem to connect. But, can he control his jealousy and not force things with her?Read More »

Plot Outline: First film of Brazil’s leading pop composer. Fragmented style, kind of patchwork of interviews with his friends, mixed with conversations, thoughts, scenes of dance and literature excerpts.Read More »

Intimations of conspiracy hover over a group of actors in this underrated but decidedly major work from New Wave master and former Cahiers du Cinema editor- in-chief Jacques Rivette. Four young women share a house on the outskirts of Paris and study acting under a demanding teacher (Bulle Ogier). Outside class, each is questioned by a mysterious investigator on the trail of a former roommate who may be involved in a criminal enterprise. Rivette’s characteristic preoccupation with the intersections between daily life and performativity creep into every corner of this wholly engrossing mystery, which eventually expands beyond the confines of the film itself. Shot by DP Caroline Champetier (HOLY MOTORS) in a glorious late-‘80s palette of deep reds, golden yellows, and dark teals, this playful revisiting of his debut PARIS BELONGS TO US launched the second phase of Rivette’s career.Read More »

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Following this success, Whitehead was invited to film a controversial new play, US, by radical theatre director Peter Brook. Building on the provocative question of Britain’s relationship to America during the Vietnam War, Whitehead pushed the issue of complicity further, challenging the relationship between the actors – including a young Glenda Jackson – and their performances. Steadfast and provocative in its consideration of international relations and war, Benefit of the Doubt has troubling relevance to the current political climate.Read More »