PLOT: Hans is an ex-foreign legionnaire, ex-cop and a lifelong member of the middle-class. His family, especially his wife, derides him for his lack of ambition and his chosen profession: running a fruit stand. When a heart attack impedes his ability to work, his dissatisfaction turns into despair…Read More »
Plot:
The costume drama Die Marquise von O is French director Eric Rohmer’s first feature-length theatrical release after a four-year break from filmmaking. Based on a novella by Henrich von Kleist, the dialogue is spoken in the original German language and the story is set in Italy during the 18th century. Edith Clever plays the widowed Marquise, who is sexually assaulted by Russian soldiers and rescued by a Count (Bruno Ganz). Some time later, she has to explain to her parents (Peter Lühr and Edda Seippel) and brother (Otto Sander) why she’s pregnant. Die Marquise von O won the Grand Jury Prize in the 1976 Cannes Film Festival. At least one of the home video releases and several capsule reviews erroneously state the film (and its parent novella) as unfolding during the Franco-Prussian wars, but both are actually set during the Napoleonic Wars, hence the presence of Russian troops.Read More »
A couple of bourgeois intellectuals, Carlo and Silvia are married for twenty years. But they wearily live their relationship separately; while she lives in their original flat in Rome, he lives with a young lover, Lù from time to time in his house in the country while writing a book. He does not keep his relationship hidden from his wife and even accepts that Silvia may have lovers, among them in particular a young and violent neo-fascist. But this relationship rekindles Carlo’s jealousy and he becomes obsessed by knowing everything about her affairs and jealousy makes him blind. The film navigates between eroticism, decadence and perversion, in an obscure game with no wins or winners.Read More »
Luis Eduardo Aute proposed to Arrietta to make an episode for the TV series Delusions of love, and he decided to adapt La Chatte, Colette: the story of a woman, a man, and a cat. The themes of love, sex and jealousy are portrayed both tragically and comically, and the power of this film is to show both perspectives in parallel.Read More »
PLOT: Tensions between members of a film crew build while they wait for the arrival of the director and star to arrive on location.Read More »
Det Means Girl focuses on young Schawan, a factory guard and also a caterer. His crippled sister Baloot and his father come to see him to seek medical treatment for the girl. The efforts of Schawan and his father however prove futile. They even resort to magic and talisman rituals to save the girl’s life.The film emphasises Jalili’s narrative style, which is becoming less conventional. Metaphors and symbolic references make the ending open to interpretations. In this film, Jalili’s main concern is a pictorial language, which results in powerful images that would inspire other artists, such as Shirin Nishat’s images of women inscribed with texts. Det Means Girl was only distributed on a limited scale and has been screened only a couple of times in Teheran, strictly during festivals. The film won awards in Venice and at Le Festival des Trois Continents in Nantes.Read More »
Adolpho Arrietta was a major figure in the new cinemas that appeared in the sixties and seventies in various countries. Thus he became one of the fundamental film directors in the history of Spanish cinema. As with Buñuel, a long exile seems to have been the condition that allowed his work to keep up with the most important trends in the cinema of his era. Throughout the seventies he produced a series of “punk à la française” films, as Severo Sarduy called them, which for their originality and influence are among the most important in French cinema of that decade. In 1989 he returned to Madrid, and despite noteable intervals, which other Spanish film directors of his generation also experienced, his work proceeded. Alone, like in the era of El crimen de la pirindola but with a digital camera, he produced what for the moment is his latest film: Vacanza permanente (2006).Read More »
David Bordwell wrote:
A bit like The Downfall of Osen (Orizuru Osen, 1935), this film centers on a woman who’s a cat’s paw for a gang involved in shady dealings. Okichi, played by Yamada Isuzu, is pulling scams for the sake of her lover. But she falls out with the gang and takes pity on one of the young men whom she victimizes.Read More »
PLOT: A team of filmmakers in search of a theme asks young residents of Casablanca about their expectations and their relationship to Moroccan cinema. When they witness a crime committed by an unsatisfied dock worker who accidentally kills his boss, they are interested in this particular case. The investigation of the motifs will encourage them to rethink their conception of cinema and the role of the artist in society.Read More »