1931-1940

  • James Whale – Bride of Frankenstein (1935)

    1931-1940HorrorJames WhaleQueer Cinema(s)RomanceUSA

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    Sequel to 1931’s Frankenstein, Bride of Frankenstein was directed by James Whale and stars Boris Karloff as The Monster, Elsa Lanchester in the dual role of his mate and Mary Shelley, Colin Clive as Henry Frankenstein and Ernest Thesiger as Doctor Septimus Pretorius.

    The film follows on immediately from the events of the earlier film, and is rooted in a subplot of the original Mary Shelley novel, Frankenstein (1818). In the film, a chastened Henry Frankenstein abandons his plans to create life, only to be tempted and finally coerced by the Monster, encouraged by Henry’s old mentor Dr. Pretorius, into constructing a mate for him.Read More »

  • Frank Capra – You Can’t Take It With You (1938)

    1931-1940ComedyFrank CapraRomanceScrewball ComedyUSA

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    From “filmschoolrejects”

    You Can’t Take It with You is a classic case of good old-fashioned American optimism, a celebration of family and small-town values courtesy of Frank Capra, who made a distinguished career out of such things. By the time of its release in 1938 films like It Happened One Night and Mr. Deeds Goes to Town had already made Capra a household name, a premiere chronicler of the Depression era national mood and a primary spokesman for cinema’s ability to serve as a tonic, spreading good cheer among audiences that had experienced too little of it.

    That history looms over every frame of what is one of the original quirky family dramedies, a direct ancestor of the entire genre of independent filmmaking devoted to such ventures today. It instills even the more banal, dated moments with particular resonance. One can sense in Capra’s joyful indulgence of the sheer chaotic nature of the life of the Sycamore family a fervent quest to entertain by outdoing even the most outlandish antics displayed in the film’s contemporaries, which remain some of the most memorable screwball comedies ever made.Read More »

  • John G. Blystone – Change of Heart (1934)

    1931-1940DramaJohn G. BlystoneRomanceUSA

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    Quote:
    Four courageous college graduates become heroes when they successfully complete a 15-hour coast-to-coast plane flight. Alas, things don’t go so well for the foursome when they return to earth to seek out employment. Chris Thring (Charles Farrell) has a particularly rough time of it, but his sweetheart Catherine Furness (Janet Gaynor) remains faithful through thick and thin. Trouble brews in the form of Chris and Catherine’s mutual friends Mack McGowan (James Dunn) and Madge Rountree (Ginger Rogers): Catherine thinks Chris is in love with Madge, while Mack falls in love with Chris? and on and on it goes. Shirley Temple shows up in the early scenes as a plane passenger, while that grand old trouper Gustav von Seyfertitz sheds his usual villainous image as the film’s avuncular last-minute problem-solver. Change of Heart is based on a novel by Kathleen Norris.Read More »

  • Raoul Walsh – Me and My Gal (1932)

    1931-1940ComedyDramaRaoul WalshUSA

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    Synopsis:
    Young New York cop Dan falls in love with waterfront waitress Helen. Helen’s sister Kate falls for gangster Duke. Dan must do in Duke.Read More »

  • Thornton Freeland – Flying Down to Rio (1933)

    1931-1940ComedyMusicalThornton FreelandUSA

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    Fred Astaire, Ginger Rogers and Others in a Musical Film
    For the benefit of the holiday throngs the Radio City Music Hall’s screen program consists of an expensively staged musical comedy known as “Flying Down to Rio” and a new Walt Disney prismatic “Silly Symphony” called “The Night Before Christmas.” These films make for a thoroughly enjoyable entertainment.

    Some idea of the cost of producing “Flying Down to Rio” can be gained from the fact that with the five principals there are more than forty persons in the cast, a number which does not include the hosts of dancing girls or the musicians. The settings are very striking and there are several clever process scenes which help to reveal that those responsible for the film have succeeded in giving an unusually good impression of Rio de Janeiro, for the actual photographs of that city are blended with those of studio structures.Read More »

  • Frank Capra – Mr. Deeds Goes to Town (1936)

    1931-1940ClassicsComedyFrank CapraScrewball ComedyUSA

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    Mr. Deeds Goes to Town is a 1936 American screwball comedy film directed by Frank Capra, starring Gary Cooper and Jean Arthur in her first featured role. Based on the 1935 short story “Opera Hat” by Clarence Budington Kelland, which appeared in serial form in the Saturday Evening Post, the screenplay was written by Robert Riskin in his fifth collaboration with Frank Capra.
    Read More »

  • Vsevolod Pudovkin – Dezertir AKA The Deserter (1933)

    1931-1940ExperimentalPoliticsUSSRVsevolod Pudovkin

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    Synopsis:
    In 1929, four years before making this film, Vsevolod Pudovkin and Sergei Eisenstein had collaborated on a Sound Manifesto that called for a radical use of asynchronous sound effects, which would be used in counterpoint to the screen image, rather than supporting it, as is normally the case. In DESERTER, Pudovkin put this theory into practice.

    Starring Boris Livanov as German dockworker Karl Renn, the film focuses upon a politically unconscious figure who learns the error of his ways. Renn becomes involved in picketing and demonstrating on the dock but walks out on his comrades one day, doubtful about the value of this kind of political activity.Read More »

  • Fernando de Fuentes – Vámonos con Pancho Villa! AKA Let’s Go With Pancho Villa [+extra] (1936)

    1931-1940DramaFernando de FuentesMexicoWar

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    Synopsis:
    Six hearty fellows in the tiny hamlet of San Pablo decide to join the revolutionary army of Pancho Villa. The Federales have already put a price on the head of young Miguel Ángel del Toro (Ramón Vallarino), and the others rush to join up under the unofficial leadership of Don Tiburcio Maya (Antonio R. Frausto), a farmer who leaves behind a wife and two small children. They boast that they are known as ‘The Lions’ when they meet Francisco ‘Pancho’ Villa (Domingo Soler); he makes them lieutenants and encourages them to live up to their claim. The six fight fiercely, lead assaults and pull off major coups like riding right up to an enemy machine gun and dragging it off with a lasso. This crazy do-or-die spirit results in a slow attrition of their numbers. The surviving three are promoted to Major but Don Tiburcio begins to feel that they’ve contributed enough to the slaughter, even if the devil-may-care jokester Melitón Botello (Manuel Tamés) feels compelled to tampt fate through stupid tests of manhood. The Revolution uses up good men, with little reward but empty glory.
    — Glenn Erickson.Read More »

  • Richard Boleslawski – Men in White (1934)

    1931-1940DramaRichard BoleslawskiRomanceUSA

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    Plot: A dedicated young doctor places his patients above everyone else in his life. Unfortunately, his social register fianceé can’t accept the fact that he considers an appointment in the operating room more important that attending a cocktail party. He soon drifts into an affair with a pretty nurse who shares his passion for healing. Written by Daniel Bubbeo Read More »

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