1921-1930

“Criterion” wrote:
In René Clair’s irrepressibly romantic portrait of the crowded tenements of Paris, a street singer and a gangster vie for the love of a beautiful young woman. This witty exploration of love and human foibles, told primarily through song, captures the flamboyant atmosphere of the city with sophisticated visuals and groundbreaking use of the new technology of movie sound. An international sensation upon its release, Under the Roofs of Paris is an exhilarating celebration of filmmaking and one of France’s most beloved cinematic exports.Read More »

This is the movie that gave Clara Bow, the film world’s first sex symbol, her lasting nickname. She will allways be “The It Girl”. “IT” is roughly sex appeal, or in the words of novellist Elinor Glyn: “‘IT’ is that quality possessed by some which draws all others with its magnetic force. With ‘IT’ you will win all men if you are a woman—and all women if you are a man. ‘IT’ can be a quality of the mind as well as a physical attraction.”Read More »

Quote:
Bargeman Louveau finds an abandoned boy, Victor, and with the authorities permission takes him back to his own family where he raises him. 10 years later Victor and Louveau’s daughter Clara have fallen in love, and it is then that Louveau is called to Paris, where it has been discovered that Victor is really the son of Maugendré, a charcoal shipper on the Nivernaise canal.Read More »

Synopsis:
Juan is the son of a poor widow in Seville. Against his mother’s wishes he pursues a career as toreador. He rapidly gains national prominence, and takes his childhood sweetheart Carmen as his bride. He meets the Marquis’ daughter Dona Sol, and finds himself in the awkward position of being in love with two women, which threatens the stability of his family and his position in society. He finds interesting parallels in the life of the infamous bandit Plumitas when they eventually meet by chance.Read More »

Quote:
Fictionalized documentary showing the evolution of witchcraft, from its pagan roots to its confusion with hysteria in modern Europe. Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen’s legendary silent film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages and early modern era suffered from the same ills as psychiatric patients diagnosed with hysteria in the film’s own time. Far from a dry dissertation on the topic, the film itself is a witches’ brew of the scary, the gross, and the darkly humorous. Christensen’s mix-and-match approach to genre anticipates gothic horror, documentary re-creation, and the essay film, making for an experience unlike anything else in the history of cinema.Read More »

Quote:
A criminal on the run hides in a circus and seeks to possess the daughter of the ringmaster at any cost.Read More »

This is Willi Forst’s second collaboration with director Géza von Bolvary, made shortly after the far better known “Zwei Herzen im Dreivierteltakt” (in which he didn’t have first billing, though). Again, the script is by Walter Reisch and the music is by Robert Stolz.

In “Ein Tango für Dich”, Forst plays Jimmy Bolt, who is working as a singer and dancer (and occcasionally as a waiter) at a varieté. The man may be talented, but he’s not exactly a big success, and things get complicated when a young orphan girl (Fee Malten) falls in love with the voice of another singer (Oskar Karlweis) but then mistakes Bolt for him…Read More »

Criterion wrote:
Years before they became major players in Hollywood, a group of young German filmmakers—including eventual noir masters Robert Siodmak and Edgar G. Ulmer and future Oscar winners Billy Wilder and Fred Zinnemann—worked together on the once-in-a-lifetime collaboration People on Sunday (Menschen am Sonntag). This effervescent, sunlit silent, about a handful of city dwellers (a charming cast of nonprofessionals) enjoying a weekend outing, offers a rare glimpse of Weimar-era Berlin. A unique hybrid of documentary and fictional storytelling, People on Sunday was both an experiment and a mainstream hit that would influence generations of film artists around the world.Read More »

Although his murdered friend was by all accounts a scoundrel a true “bounder” Edward Wales is determined to trap his killer by staging a seance using a famous medium. Many of the 13 seance participants had a reason and a means to kill, and one of them uses the cover of darkness to kill again. When someone close to the medium is suspected she turns detective, in the hope of uncovering the true murderer.Read More »