Navid Navid

  • Angelina Maccarone – Fremde Haut aka Unveiled (2005)

    Angelina Maccarone2001-2010DramaGermanyQueer Cinema(s)

    SYNOPSIS
    Unveiled is about a woman’s identity crisis, so it’s probably fitting that the film itself is torn between its affections to the shrill Yentl and grim Boys Don’t Cry. Fariba (Jasmin Tabatabai) arrives illegally in Germany from Iran and applies for political asylum after declaring she would be persecuted in her homeland for having had a lesbian affair with a married woman. In the film’s best scene, director Angelina Maccarone hints at the gender transference that will save Farbia: Inside a seemingly unisex bathroom (really it’s a trash heap for all undesirables), the woman offers a cigarette to a weeping man, Siamak (Navid Akhavan), in the adjacent stall, and Maccarone codes her main character’s uncertainty of the world in her decision to light the cigarette before passing it on.Read More »

  • Angelina Maccarone – Fremde Haut aka Unveiled (2005)

    Angelina Maccarone2001-2010DramaGermanyQueer Cinema(s)

    SYNOPSIS
    Unveiled is about a woman’s identity crisis, so it’s probably fitting that the film itself is torn between its affections to the shrill Yentl and grim Boys Don’t Cry. Fariba (Jasmin Tabatabai) arrives illegally in Germany from Iran and applies for political asylum after declaring she would be persecuted in her homeland for having had a lesbian affair with a married woman. In the film’s best scene, director Angelina Maccarone hints at the gender transference that will save Farbia: Inside a seemingly unisex bathroom (really it’s a trash heap for all undesirables), the woman offers a cigarette to a weeping man, Siamak (Navid Akhavan), in the adjacent stall, and Maccarone codes her main character’s uncertainty of the world in her decision to light the cigarette before passing it on.Read More »

  • Arash T. Riahi – Ein Augenblick Freiheit aka For a Moment, Freedom (2008)

    2001-2010Arash T. RiahiArthouseAustriaDrama

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    Introduced separately, the protagonists are clustered into three groups. In the first, college-aged, cheerful Merdad and more serious-minded friend Ali are sneaking two pint-size cousins out of Iran to reunite them with refugee parents already in Austria.
    In the second group, Lale and Hussan travel over the mountains by foot with their own young son, hoping to find European asylum from political persecution. After some tense moments, these first two groups find themselves safely –for the moment — across the border, in the same car driven by a kindly coyote.
    In Ankara, they soon discover such friends are hard to find. Turkish cops and Iranian secret police are on the prowl for illegals; even the manager at the hotel where the protags are housed turns out to be an informant.Read More »

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