Lutfi Akad

  • Lütfi Akad – Diyet (1974)

    1971-1980DramaLutfi AkadTurkey

    Quote:
    Lütfi Akad completes with Diyet (Blood Money) his trilogy based on internal migration. Diyet depicts the struggles of a migrant Anatolian family to adapt to and survive in the very different conditions of urban Istanbul. Akad uses the experiences of a provincial family as his medium for drawing attention to a period of disintegrating feudal relationships and burgeoning proletarianism. And this strikes the kind of political chord that is rarely encountered now in Turkish cinema.Read More »

  • Lütfi Akad & Memduh Ün – Üç tekerlekli bisiklet AKA The Tricycle (1962)

    1961-1970DramaLutfi AkadMemduh ÜnTurkey

    IMDB:
    In the absence of his father, a little boy and his mother live by themselves on a poor suburb for years. Boy impatiently waits his father’s return, till the day a wounded outlaw takes refuge in their home.Read More »

  • Lutfi Akad – Kanun namina aka In the Name of the Law (1952)

    1951-1960DramaLutfi AkadTurkey

    Ömer Lütfi Akad, aka Lütfi Ömer Akad, (b. 1916) is a Turkish film director, who directed movies from 1948-1974. In 1949, he debuted as a film director with Vurun Kahpeye (“Kill the Whore”) an adaptation of Halide Edip Adıvar’s book of the same title. He became one of the pioneers of the period in the “Director Generation”. The 1970s trilogy, The Bridge; The Wedding; and The Sacrifice, is considered his masterpiece. Afterwards, he withdrew from movie making instead directing adaptations for TV.Read More »

  • Lutfi Akad – Vesikali yarim aka My Prostitute Love (1968)

    1961-1970DramaLutfi AkadRomanceTurkey

    29f7c043f76a2bde437fd0d52a185152

    Imdb User Review:

    Watch it like that you can’t watch any movie after this time,it gives you unbelievable moments…
    29 August 2006 | by hashus (Turkey)

    Lütfi Akad is one of the most important directors of Turkey, he gave our cinema very useful things, a lot of things started with his camera…he was different, he moved cinema from sets to streets, he gave to watchers real world,real people, no star… his actors didn’t act in front of the camera, they lived in white-screen…

    And I think Akad’s the best movie is Vesikali Yarim, because he always directs real stories which everybody can live them, but in this story we can’t find anything from us…but we forgot one important thing : director is Lütfi Akad…so again we find us in the white-screen between actors. He can do this. Although story is not from us, he can move us his movie…In this movie, he asked us “Who deserve the real love?” and “Does love deserve the reality?” I won’t say anything about answers but if you watch this movie, you will see them easily…Read More »

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