Liane Haid

  • Karl Grune – Die Brüder Schellenberg aka Two Brothers (1926)

    Karl Grune1921-1930DramaGermanySilentThe Birth of Cinema

    After explosion in factory, the two brothers Wenzel and Michael start a new life. Wenzel gets rich on the stock market, Michael builds a settlement colony for the unemployed. Tragedy begins when Wenzel chooses the wrong woman.Read More »

  • Mario Bonnard – Der goldene Abgrund (1927)

    1921-1930AdventureGermanyMario BonnardSilent

    Plot:
    An eccentric millionaire brings together four men who, under different circumstances, wanted to commit suicide. The proposal made to them is the following: they will travel to an islet that, according to legend, emerged from the sea when Atlantis sank and that houses a fabulous treasure buried by the Incas. But that territory is populated by the worst band of pirates and evildoers the world has ever known.Read More »

  • Géza von Bolváry – Das Lied ist aus AKA The Song Is Over (1930)

    Comedy1921-1930GermanyGéza von BolváryMusicalWeimar Republic cinema

    Quote:
    I don’t hesitate to call “Das Lied ist aus” one of the great masterpieces of early German cinema. It is one of the best and most stylish of all the Weimar musical sound films, and it’s unusual for its strongly melancholic undertone and unhappy ending. It can also be regarded as one of the defining films for the team of actor Willi Forst, director Geza von Bolváry and scriptwriter Walter Reisch. Forst fully established his screen persona here: the witty, elegant, but also fragile and thoughtful gentleman, although he was a much too versatile actor to be pinned-down to such keywords. Forst is paired here with the equally stunning Liane Haid, very charming and womanly, and the chemistry these two have has rarely been achieved again in later films with Forst (but check out “Der Prinz von Arkadien” with the same team!).Read More »

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