Kamran Usluer

The Wedding, which is the second part of Akad’s trilogy, depicts the struggles of a migrant Anatolian family to adapt to and survive in the very different conditions of urban Istanbul, is one of the best presentations of internal migration in Turkish cinema. Akad uses the experiences of a provincial family as his medium for drawing attention to a period of disintegrating feudal relationships and burgeoning proletarianism. And this strikes the kind of political chord that is rarely encountered now in Turkish cinema; an approach that is borne out by the film’s ‘happy ending’. The Wedding is profoundly impressive as a film that explores and comments on the painful period of change sweeping Turkey at the time, but also for its standpoint, a combination of social realism and socialist reality.Read More »

Synopsis:
This is the story of Cevher and his family, who all work in cotton fields in late seventies in Turkey. Cevher has to pay blood money to save his life. He even considers getting his daughter married to a rich and old guy. And on the cotton fields, they have to compete with machines, which are preferred to human workers. Eventually, workers unite and go on strike.Read More »