Isabelle Huppert

A prostitute and her teenager daughter, will have to run away after the girl stabs her mother’s pimp. The woman will try to find her son, which she hasn’t seen in 8 years.Read More »

Quote:
Acclaimed French filmmaker Olivier Assayas follows up on the international success of Fin Août, Début Septembre and Irma Vep with this sweeping adaptation of the sprawling three-volume tome by Jacques Chardonne. Set in three chapters spanning from the beginning of the 1900s to after WWI, the first section takes place in the fictional village of Barbazac, located in the Cognac region. Protestant pastor Jean Barnery (Charles Berling) learns of his wife Nathalie’s (Isabelle Huppert) infidelity from the village grapevine and sends his daughter away. At the same time, 20-year-old Pauline (Emmanuelle Beart) returns to the village after the death of her father. Pauline and Jean are almost immediately attracted to each other when they first meet at a ball. Soon Jean installs Nathalie and their daughter in an apartment, files for divorce, and resigns as minister. Read More »

Serge Toubiana followed Isabelle Huppert and her lifestyle for one year. With her, we reflect on the “album” of her life. The images flow: films of her childhood, the importantmoments in her career, intrpersed with interviews, impressing rehersals, scenes from films, and ordinary walks, in the center of a crowd that does not recognise her. We are given an insider’s view of a remakable actress, a discreet woman, who, in this portrait, gives us a glimpse at her emotions, her vocation, and her life.Read More »

Synopsis:
A French woman drinks makgeolli in Korea after losing her means of income, then teaches French to two Korean women.Read More »

Plot:
Lucie, a police officer, is fond of her new neighbors, a young couple. Soon she discovers that Yann, the father, has a heavy criminal record. Lucie has a moral conflict between her professionalism and her desire to help this family.Read More »

Two women from very different worlds bond over an unlikely connection — both of them have a husband serving time in the same prison — in Visiting Hours, a study of class and economic disparity that avoids certain narrative familiarities while succumbing to others. Veteran French director Patricia Mazuy reunites with her The Kings Daughters (2000) star Isabelle Huppert, who plays a bourgeois wife who takes an interest in Hafsia Herzi’s working-class dry-cleaner, although the reason for her fascination is, intriguingly, never explicitly laid out. The two characters become friends, although both women’s ulterior motives give this uneven but compelling film its tense energy.Read More »

Synopsis wrote:
Three years after his wife, acclaimed photographer Isabelle Reed, dies in a car crash, Gene keeps everyday life going with his shy teenage son, Conrad. A planned exhibition of Isabelle’s photographs prompts Gene’s older son, Jonah, to return to the house he grew up in – and for the first time in a very long time, the father and the two brothers are living under the same roof.Read More »

In an interwar France struggling with profound social and political change, 18-year-old Violette Noziere rebels against the constraints of her claustrophobic, working-class (and possibly incestuous) family, with troubling consequences.Read More »

Quote:
Paris shortly before World War I. Wealthy and self-satisfied, Jean Hervey is returning home from work, describing life with his wife of 10 years, Gabrielle; he values her as impassive and stolid. However, that day she’s gone, leaving a letter that she’s joining a man she loves. Jean is devastated, but within minutes she’s returned, telling him that her resolve has failed. Over the next two days, he questions, demands, begs, and parries with her: why did she leave, why did she return, does she love him, did she ever love him, who is her lover, is she passionate with her lover? She’s calm as alabaster, reserved. Is she in danger? When she makes an offer, how will he respond?Read More »