German

Quote:
The filmmaker Ulrike Ottinger has made a name for herself with her unique feature films and documentaries, such as Madame X – Eine absolute Herrscherin (1978), Bildnis einer Trinkerin (1979), Freak Orlando (1981), Johanna D’Arc of Mongolia (1989), Prater (2007) and Unter Schnee (2011).
Her unusual ideas and approach are marked by subtle humour and an exalted style. Her subjects are always guided by intimate female perspectives of other worlds, whether they concern travel, history or unexpected situations. Until now there has been no film portrait of the artist. This film is about the life and work of an extraordinary woman and captures an era characterised by the emergence of women in the arts. More than any other female artist, Ulrike Ottinger enriched the film landscape of the time with surreal, original and extreme films. Read More »

A fifteen year-old girl experiencing the first pangs of womanhood accompanies her mentally retarded brother as he begins to experience his sexual awakening in this effort from German director Sven Taddicken. Approaching his thirtieth birthday but possessing a mind developed years behind his physical growth, Josh (Roman Knizka) likes to pretend he’s a vampire while joking with sister Nicole (Marie-Luise Schramm). Meanwhile, security guard brother Mike (innerk Schonemann), quickly racking up a long list of sexual conquests, has recently added yet another notch in his belt with the seduction of his boss Nadine (Julia Jentsch). When Nic and Josh spy Mike and Nadine in the throws of passion, Nic’s sexual curiosity reaches a fever pitch and Josh impulsively focuses his newfound lust on Nadine. ~ Jason Buchanan, All Movie GuideRead More »

Viola Shafik’s documentary explores the story of El Hedi ben Salem, a lover and collaborator of provocative German director Rainer Werner Fassbinder.Read More »

Synopsis:
A man bored with his wife goes to the Munich Oktoberfest. He meets a pregnant student who discusses the problems of bourgeois marriage with him and finally returns home disappointed. “The dialogues are peculiar, the man not very sympathetic, a feminist emphasis is occasionally perceptible that does not directly facilitate understanding. The men’s interest in women is examined, and whether this can be associated with love or merely with pastime, curiosity, frustration.” (Doris Kuhn: Die Stärke der Frauen, in: Formen der Liebe. Die Filme von Rudolf Thome, Marburg 2010)Read More »

Three women, a journalist, her French friend and a pop singer, deal with life, career, desire, sex and personal fantasies.Read More »

David (Mario Fische) is the son of a German rabbi during the early days of the Holocaust. The boy is a horrified witness to the burning of his father’s synagogue and the humiliation of his relatives and neighbors. Breaking away from his family, David is able to earn enough money to emigrate to Palestine. The film makes an effort to weed out humanitarians amongst the hellraisers, giving points to a kindly German officer who helps David escape. A long film, David is based on the even longer (but no less compelling) novel by Joel Konig.Read More »

Paris 2022. François is a literary scholar and drinker. His relationships with women are limited to one year, his life is sufficiently happy. Until the day when charismatic Muslim politician Mohamed Ben Abbes becomes president in France, introduces patriarchy and polygamy, and François loses his job.Read More »

“Beauty and decay” is a documentary about three rebels, who shine even brighter than the rest of the vibrating East Berlin boheme of the 80ies: Sven Marquardt, Dominique Hollenstein (Dome) and Robert Paris. All of them being more mystical creatures than real punks. This movie reveals how little the colorful East Berlin punk-scene had in common with the one-dimensional aesthetic of its western counterpart. The uniqueness, authenticity and offhandedness of this subculture was impressive.Read More »

This film follows some extremely right-wing teenagers in Leipzig, Germany, over a period of one year (1992/1993). It portrays what they think about belief, love and hope as well as about violence and their country.

Während in (Ost-)Deutschland Asylbewerberheime brennen, zeichnet Voigt im Porträt dreier Leipziger Skinheads das bedrückende Bild einer „Lost Generation“ in einem zerstörten Land. Ein Auftritt des legendären „Baulöwen“ Jürgen Schneider sorgte für einen kleinen Skandal und die zeitweilige Sperrung des Films.Read More »