German

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Being Gypsy is one of Peter and Zsóka Nestler’s most important works. The film uncovers the history and fate of the Roma and Sinti in Germany under Nazism and their continued persecution after the war.

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In the Romani language, Roma means “people.” This film lends a voice to these people, who tell of how they were arrested and locked up in camps and prisons, and how 90 percent of their families never returned from the death camps. They speak in dialects from Burgenland, Bavaria and Saxony. They live in desolate barracks on the fringes of cities, where ten people share a room with damp walls. The children are sick all winter long.Read More »

Frost is a landmark European film, cementing Fred Kelemen as an inheritor of Rainer Werner Fassbinder and Werner Herzog. This three-hour epic 16mm film focuses on a mother and son fleeing her abusive husband in Berlin and wandering the former East Germany seeking a town that has long since vanished. Set during a sunless Christmas, Frost slowly unfolds during their one-week odyssey across glacial landscapes, towards peace. Introduced by the film critic Jonathan Romney.Read More »

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This first film by choreographer Pina Bausch reflects her method of working as developed with the Wuppertal Theatre of Dance during the 1973/74 season. The film does not tell a story, but is made up of various scenes put together as a collage with scenes set in different locations, such as the woods and fields around Wuppertal, the city centre, the suspension railway, a carpet shop, a greenhouse and the rehearsal room. The futility of human activity and the search for love make up the film’s central theme set against the strains of a Silician funeral march. Filmed on location in Wuppertal, Germany, between October 1987 and April 1989.Read More »

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FM (FM Einheit of Einstürzende Neubauten) has discovered something incredible in the monotonous ‘muzak’ played through the fast food restaurant H Burger’s speaker system: the tracks are laced with subliminal messages designed to ensure complacency and consumerism. Experimenting with his discovery, FM soon realizes that by changing the type of music played, he can manifest a whole range of emotional responses and stir up the populace from their consumerist subordination. But as the diners are emotionally awakened, they become more and more prone to rioting and general social unrest, which puts FM in an increasingly dangerous position, especially when the sinister and mysterious organization behind the the plot to keep the public complacent takes an interest in finding and stopping him…Read More »

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Bells From The Deep is a fabulous look at the faith and superstitions of human beings living in Russia and Siberia. Herzog quietly observes his subjects and never appears obtrusive. The camera of Jorg Schmit-Reitwen (Heart of Glass, Kaspar Hauser) captures many incredible moments as Herzog and crew move from one subject to another with grace and wonder. Herzog never questions or dissects his subjects rituals or beliefs, rather observes and embraces them for all they are.Read More »

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The anti-psychiatric Socialist Patients’ Collective (SPK) was founded in Heidelberg in 1970 and attributed individual suffering to society’s capitalist structures. It began as a self-organized experiment in group therapy led by doctor Wolfgang Huber with psychiatric patients, featuring Hegel readings and individual agitation, before subsequently radicalizing, which ended in criminal proceedings against its members, some of whom went underground with the Red Army Faction.Read More »

Séraphine and her mother arrive in Paris to visit the 1867 World Exhibition. In an overcrowded city they must be accommodated in separate hotels. During the night the mother, who wasn’t feeling very well, gets suddenly worse. When next morning Séraphine goes to meet her every trace of her presence has disappeared and everybody denies having ever met her. The bewildered young woman must find someone who believes her.Read More »

Description
What remains from childhood

Paul-Julien Robert‘s deeply moving and illuminating film „MY FATHERS, MY MOTHER & ME“

When it comes to processing contemporary history, especially events which have become a burden, it is possible to differentiate three dynamics. First of all, generally during a relatively short period after the past situation, comes a sensation of being overwhelmed, with emotionalised expressions of affirmation or rejection. This gives way to a cooler period of coming to terms with the past, relying heavily on facts rather than emotions in most cases.Read More »

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Luz, a young cabdriver, drags herself into the brightly lit entrance of a run-down police station. A demonic entity follows her, determined to finally be close to the woman it loves.Read More »