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Deep into a vast cavern of the pitch-black inferno, a couple of professional dancers demonstrate the cakewalk that is currently so much in vogue, and now, everyone in the once-gloomy underworld is doing the crazy dance. Who is the best?Read More »
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Gulliver washes ashore on Lilliput, the inhabitants of which are no more than six inches tall. He later travels to Brobdingnag, a country populated by giants.Read More »
A divinely inspired peasant woman becomes an army captain for France and then is martyred after she is captured.Read More »
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A young woman becomes the eighth wife of the wealthy Bluebeard, whose first seven wives have died under mysterious circumstances.Read More »
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In what is considered the first remake in cinema history, prolific French director Georges Méliès directs his first film, depicting a delightful afternoon among friends playing cards over a glass of beer.
It was the first film in Méliès’ prolific career, and thus is number one in his Star Film catalogue. It is a remake of Louis Lumière’s film The Messers. Lumière at Cards, which was released earlier the same year. Along with Georges Méliès himself, his brother Gaston Méliès and daughter Georgette Méliès also appear in the film.
The film, long presumed lost and was rediscovered after 1981Read More »
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A devil conjures up a dancing woman from a mystical flame.
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The Pillar of Fire was the first film to be based on H. Rider Haggard’s 1887 novel She: A History of Adventure. Rather than attempting to tell the whole story of the novel, Méliès used one of its characters as inspiration for a trick film, recalling the scene in the novel in which Ayesha stands amid flames. At least six other adaptations of She were made in the silent era.Read More »
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A divinely inspired peasant woman becomes an army captain for France and then is martyred after she is captured.Read More »
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In a traditional “magician” attire, the wizard of illusion and jump cuts, Georges Méliès, says the magic words and conjures up wonders from a plain wooden box.
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Directed by Georges Méliès, the film features a wizard, a Pierrot, and a sculptor in a rapid series of substitution splices. The film is described as “another exercise in the art of the jump-cut,” in the tradition of Méliès’ earlier A Nightmare (Le Cauchemar, 1896) and The Haunted Castle (Le Château hanté, 1897).Read More »
