The story of a man, 2 women and an inescapable pact made with the Devil. Following a friend’s apparent suicide, Paul (Pilon) begins to believe that something strange is going on. Following a series of harrowing events, Paul finds himself at a Black Mass where the truth will finally be discovered.Read More »
During her holiday in Brest, a young Parisian falls in love with a sailor. But autumn comes and the two lovers have to part. They write to each other. Will their love resist at a distance, each living his life, him in Brest with his friends, she in Paris who keeps waiting for him? An impossible love story and the cross-portrait of two cities, Paris and Brest, between the realism of the color images and the poetry infused by the sepia black and white images, lives to the rhythm of the nostalgia of the two lovers…Read More »
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Jacques De Baroncelli was a prolific director ,active from the silent age (1916)up to post-war years (“Rocambole” 1947).”La Duchesse De Langeais”(1942) is considered his best work.
This one is a comedy.The beginning might remind some users of a famous scene of the all-time classic “it’s a wonderful life” -which had still to be made in 1938-: a young man ,weary of life ,wants to throw himself into the river ;but a young girl does it at the very moment he is about to act.He saves her and a “guardian angel” welcomes him ,in the shape of a tramp ,played by the always wonderful Michel Simon.Nothing magic,nothing religious ,like in Capra’s beloved work.Simply the two young people decides to live under the stars ,like their mate .The chick (Meg Lemonnier)is a wealthy banker’s daughter and the boy (Jean ¨-Pierre Aumont) a poor artist ,but he is handsome whereas all the men the rich dad wanted his heir to marry were graybeards.Read More »
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With this documentary on the plots and sub-plots of the universe of food, Moullet moves away from comedy to become a pioneer of today’s trend to analyze the forms of globalization by looking at a small cultural field. In his survey going from our everyday menu to the exploitation of Third World workers, the genesis in the title provides the basis for this political essay: by following the history of a meal’s ingredients, an intelligent map of the workings of the global world is charted.Read More »
In this stylish French drama fits well into the film noir genre. A visitor comes to the home of Stephane, the wife of an important magistrate. She, claiming attempted rape, calmly shoots him. The visitor is the legendary gangster Wadek Aslanian who was beloved as a latter day Robin Hood. Stephane’s husband hires a lawyer, Paul, to defend her. Paul learns many disturbing things about Stephane’s sordid past when he starts receiving anonymous letters describing her exploits which included prostitution, performing in porno-movies, and most interestingly having a liaison with Aslanian. The judge is ignorant of his wife’s past. Despite her dark and mysterious past, Paul cannot help but fall in love with Stephane.Read More »
After the conductor of the orchestra he has been playing in commits suicide, a young clarinettist is left with a quite valuable violin.Read More »
Simon, a famous violinist, sinks into alcoholism. He finds support from his lover, who is also the manager of the orchestra in which he plays. But is she really helping him or is she exploiting his dependence on her? A man who has been through the same experience as Simon, offers to help him…Read More »
Synopsis: Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d’Etoile (Rohmer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.Read More »
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La quarantaine (Beyond Forty) is a psychological drama by Anne Claire Poirier, veteran and pioneer of feminine and feminist cinema in Canada. As a director and producer, she broke the silence of women, reversed taboos and paved the way for women’s films in Quebec and Canada. “If I feel this way, it’s because others have to live the same thing as me.” This leitmotiv leads Anne Claire Poirier to make a feminine cinema that is both personal and plural.Read More »