French

One of the frequent themes in the films of Melville is loyalty between men, so it should come as no surprise to Melville fans that Michel and Ferchaux develop an usual, and even unhealthy bond–you could apply the term ‘co-dependency’ here, but while Melville’s film is ultimately positive when it comes to analyzing the relationship between the aging millionaire and Michel, the Simenon novel on which the film is based is far darker. If there’s any truth to the idea that a relationship can be judged by the way it alters the people involved with each other, then the relationship between Simenon’s characters Ferchaux and Michel Maudet is toxic.Read More »

Synopsis
Agnès Varda travels around the world to meet friends, artists, and filmmakers for an expansive view of the global contemporary art scene.Read More »

Quote:
Aya is a woman in her early thirties. After astonishing everyone by saying “No” on her wedding day, she leaves the Ivory Coast for a new life in China. Living in an area where the African diaspora meets the Chinese culture, she finds a job in a tea boutique owned by Cai, a 45-year-old Chinese man. In the privacy of the shop’s backroom, Cai initiates Aya into the Chinese tea ceremony. As he teaches her this ancient art, their relationship slowly grows into one of tender love. But for their burgeoning passion to be supported by trust, both of them must let go of their burdens and face up to their pasts. -berlinale.deRead More »

Synopsis:
‘Whilst her husband, the engineer Pierre Moret, is engaged on construction projects, Denise occupies herself with charity work in the Chinese town that has become her home. Tempted into a gambling den, she soon loses a fortune. She has no recourse but to accept a gift of money from the wealthy Prince Hu-Long, who has fallen in love with her. Realising that she cannot accept such a gift, Denise returns the money to the prince, not realising that by taking the money she has become his property…’
– Films de FranceRead More »

It’s summertime, 2021. Isabelle Huppert plays Lioubov, Chekhov’s unforgettably heroine in The Cherry Orchard. In a near theatre, Fabrice Luchini recites Nietzsche. Both actors are premiering at Avignon’s Festival. When they leave backstage to stand out on stage, they are completely transformed. As everything seems utterly natural, audience does not imagine what happened before. By following their daily lives during the weeks preceding the premieres, Benoît Jacquot brings a singular perspective of the two actors and shows them like we’ve never seen before.Read More »

Quote:
From Venice to Illiers, a journey into the memory of Proust.

Made for French television on the occasion of Marcel Proust’s centenary.

Guy Gilles’ film freely intersperses documentary language with fiction, embodied in the figure of a visitor in search of the places and faces that Proust loved, from the Illiers-Combray of his childhood to the longed-for Venice that he never got to know.

With the participation of Patrick Jouané, Céleste Albaret, Pierre Larcher
and the voice of Emmanuelle Riva

Collaboration: Jean-Pierre Desfosse, Philippe Rousselot, Gérard Alary, Denise Baby, Prosper Seban.

ORTF production
, Roger Stéphane (broadcast June 17, 1971)Read More »

As political and social tumult rocked France in May and June of 1968, Jean Eustache used his first documentary to focus on persistent tradition, in the form of a centuries-old ceremony in his hometown of Pessac. Each year, Pessac’s civic leaders choose a young woman they consider an exemplar of moral virtue, with a daylong celebration commemorating the changing of the guard from the previous year’s “virgin” to the present one. Eustache observes the exacting selection process, the fostering of communal bonds, and a bold implication by Pessac’s presiding priest that the ritual upholds the same Christian values for which leftist students and workers were then currently fighting.Read More »

On a farm in the West of France, Catherine a plump little girl, dreams of escaping her joyless life. Her parents do not seem to know what a heart is and her father can get violent occasionally. Her only hope lies in those big trucks that drive zooming along the main road under her bedroom window.Read More »

‘In NOTRE DAME DE LA CROISETTE’ Schmid turns his abundant eye on that loved and despised Mecca of European film life, the Cannes International Film Festival. Bulle Ogier stars as a woman who goes to Cannes and, lost in its chaos and unable to obtain tickets, ends up watching it on television from her hotel room. But the spectacle-in-the-box brings her much more of the world than she bargained for, and she finds refuge in her dreams of Cannes as it was thirty years ago, when living myths walked the earth: Picasso, Henri Langlois, Maria Callas, Cary Grant, Elizabeth Taylor, Arletty, and Jean Cocteau.

Le Festival International du Film de Cannes, 1981. Une jeune femme, de passage, peine à voir un seul des films du festival. De guerre lasse, repliée dans sa chambre d’hôtel, elle le regarde à la télévision.Read More »