French

Carl’s life is reduced to two things: receiving lows and, despite everything, persists in carrying out a “normal” existence.
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A young man goes shopping with his mother after a tumultuous night out. The conversation taking place on route is filled with uncomfortable dialogue between two generations.Read More »

Portrait de l’écrivain Albert CAMUS à travers des témoignages de ses confrères, de ses familiers et de ses compagnons de résistance : Louis Guilloux, Jean Pelegri, Mouloud Mammeri, Edmond Charlot, Jacqueline Bernard, Jules Roy, Jean Daniel, Francis Jeanson, Suzanne Agnelli . La vie de l’auteur est retracée et les principaux thèmes de son oeuvre sont évoqués : la Méditerranée et l’amour de la nature, le divorce entre l’homme et le monde, la révolte contre l’oppression et la revendication de liberté. Lecture de réflexions de Camus sur l’art du comédien par Catherine Sellers, extraits répétition des “Justes” par Ludmilla Mikaël, Yves Fabrice, Niels Arestrup.Read More »

synopsis – AMG:
In this satiric comedy-drama from France, Paul (Mathieu Amalric) is an assistant professor of philosophy disenchanted with teaching and distracted enough that he can’t (or won’t) finish the dissertation that would allow him to become a full professor. Esther (Emmanuelle Devos) has been his girlfriend for nearly a decade; while he’s no longer happy with the relationship, he has trouble working up the courage to break it off. He’s smitten with Sylvia (Marianne Denicourt), the lover of his best friend Nathan (Emmanuel Salinger); Paul and Sylvia had a brief fling two years ago, and he can’t get her out of his mind. However, once Paul gives Esther her walking papers, he starts chasing after Valerie (Jeanne Balibar), while also keeping his eye on Patricia (Chiara Mastroianni), the girlfriend of his cousin (and roommate) Bob (Thibault de Montalembert). It’s hard to imagine Paul having much time to think about anything else amidst all this romantic tumult, but when Rabier (Michel Vuillermoz), a former friend, gets a top spot in Paul’s department, it leads to an ongoing argument that both adds to and reflects the turmoil of his romantic life. Amalric’s performance earned him a 1997 Cיsar Award as Most Promising Young Actor. — Mark DemingRead More »

Quote:
A group of students go to the Eden club where they play bizarre and cruel games including fake Russian Roulette, strange rituals, rape, blood-drinking and poison, until a mysterious stranger appears and ups the ante. After a bloody magic trick, he provides an African drug to a girl who sees a montage of fearful images and then slowly appears to live them, wandering into a strange fluid factory and into a postcard of Tunisia, where murders, S&M sex, dancing and a nonsensical plot of kidnapping and torture in order to locate a painting take place. The film is an experience, a reality created by illusions, hallucinations and drugs, with bizarre visuals and details emerging little by little as some images develop into scenes, albeit incoherent ones.Read More »

Quote:
Robbe-Grillet turned once again to painting and literature for inspiration in his next film. In 1976 he had written a ‘picto-novel’, La Belle Captive, which reprinted some of Magrittes’s paintings including La Belle Captive itself. His 1983 film of the same name used paintings by both Magritte and Edouard Manet as a launching pad, each painting a ‘generation cell’ for the film’s ideas and narrative. Magritte’s Belle Captive is a great painting – formal, poetic, mysterious, it hints at all sorts of possibilities. The drawn curtains open onto a beach and sky. In the stony foreground there is an easel and a painting that visually links the world behind the curtain with the vista in the distance. It’s an audacious, inspiring work that’s a self-conscious reflection on the process of painting, but is also eerie and enigmatic, exuding a strange beauty.Read More »

Bettina Rheims and Serge Bramly’s Rose, c’est Paris is both a photographic monograph and a feature-length film on DVD. This extraordinary work of art, in two different but interlocking and complementary formats, defies easy categorization. For in this multi-layered opus of poetic symbolism, photographer Bettina Rheims and writer Serge Bramly evoke the City of Light in a completely novel way: this is a Paris of surrealist visions, confused identities, artistic phantoms, unseen manipulation, obsession, fetish, and seething desire.Read More »

Synopsis
The portrait of a female student in the mid-60s Paris.Read More »

english description :
In this French tour-de-force a young student (Jacques Speisser) decides to have no more interaction with the world than is needed to minimally sustain life. His increasingly automaton-like behavior is coupled with a strange clarity of insight about the world around him. His inner musings as he wanders the luminous streets of Paris are narrated in the form of an unwritten diary by Ludmila Mikael.Read More »