French

Despite a paralyzed leg, Grigris, a 25 year old living in Chad, dreams of being a dancer, but his dreams are dashed when his uncle falls critically ill. To save him, Grigris resolves to work for petrol traffickers.
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City of Pirates
(La Ville des pirates, France/Portugal, 1983)

Raúl Ruiz’s City of Pirates is (de)composed under the sign of Surrealism, with its trust in ecstasy, scandal, the call of the wild, mystification, prophetic dreams, humour, the uncanny. Given the surprising swerves and disorientations evoking Buñuel and Dalí, and the confidence in a poetic discourse recalling Eluard and Péret, one wonders if Ruiz didn’t elaborate his scenario using the Surrealist mode of automatic writing. Troubled, graceful Isidore – Ducasse and Duncan? – is a purely Surrealist heroine, part Ophelia, Salomé, Bérénice, prone to trances, somnambulism, hysterical seizure, contact with the ‘other side’.Read More »

SYNOPSIS
On the eve of the First World War, a wealthy count, Forbek, builds a rocco pleasure dome in the French countryside. He invites his wife and his friends to live a life of idyllic seclusion inside the dome. In 1982, the same dome is the venue for a teaching seminar attended by a number of teachers with some radical ideas for educating children. Both Forbek and the seminar’s organisers are striving for similar things, the creation of a better world. Both are doomed to failure…
taken from here
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Plot summary
A sailor who was accused of killing a teenage girl and who was presumed to have drowned while making his escape, returns to the Mediterranean island where the alleged crime took place. But all is not what it appears. Robbe-Grillet keeps us guessing as to whether the murder actually took place and teases the viewer with the possibility that the sailor may be a restless spirit or a figment of the imagination conjured up by the victim’s father to assuage his own guilt. Too many questions and not enough answers make for a very frustrating investigation. Read More »

Jean-Luc Godard did not attend the world premiere of his new film, ADIEU AU LANGAGE (GOODBYE TO LANGUAGE), at Cannes. But instead, he sent a letter in motion to Gilles Jacob and Thierry Fremaux, the directors of the Festival.Read More »

Quote:
This utterly compelling psychological thriller from Michael Haneke – one of cinema’s most daring, original and controversial directors – stars Daniel Auteuil as Georges, a TV presenter who begins to receive mysterious and alarming packages containing covertly filmed videos of himself and his family. To the mounting consternation of Georges and his wife (Juliette Binoche), the footage on the tapes – which arrive wrapped in drawings of disturbingly violent images – becomes increasingly personal, and sinister anonymous phone calls are made. Convinced he knows the identity of the person responsible, Georges embarks on a rash and impulsive course of action that throws up some unpleasant facts about his past and leads to shockingly unexpected consequences.Read More »

Synopsis
Eve Charlier is poisoned by her husband, an unscrupulous state official, so that he can marry her younger sister. At the same moment that she dies, a political agitator, Pierre Dumaine is shot dead by a police informer on the eve of an uprising against the state. Eve and Pierre meet up in the afterlife, where they can observe the world of the living but cannot alter anything. When they appear to fall in love, they are allowed to return to the land of the living for one more day. If they can prove that they love each other sincerely, they will be permitted to live out the rest of their lives together. Otherwise…
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Le grand soir is a 2012 French drama film directed by Benoît Delépine and Gustave de Kervern. The film competed in the Un Certain Regard section at the 2012 Cannes Film Festival where it won the Special Jury Prize.
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synopsis
The French Love Without Pity strikes different people different ways. To some, it’s the last word in profundity; to others, it’s a subtitled yawnfest. We suggest that you judge for yourself this story of low-down louse Hippolyte Girardot, who regards the women in his life as little more that doormats upon which to wipe his feet. It’s “just deserts” time when Girardot falls head over heels for Mireille Perrier, who proceeds to treat him like dirt.Read More »